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Harper & Row v. Nationa Enterprises, 105 S.Ct. 2218,
471 U.S. 539 (1984)
Supreme Court of the United States
HARPER & ROW, PUBLISHERS, INC. and the Reader's Digest
Association, Inc.,
Petitioners
v.
NATION ENTERPRISES and the Nation Associates, Inc.
No. 83‑1632.
Argued Nov. 6, 1984.
Decided May 20, 1985.
Syllabus [FN*]
FN* The syllabus constitutes no part of the opinion of the Court
but has been prepared by the Reporter of Decisions for the convenience of the
reader. See United States v. Detroit
Lumber Co., 200 U.S. 321, 337, 26 S.Ct. 282, 287, 57 L.Ed. 499.
In 1977, former President Ford contracted with petitioners to
publish his as yet unwritten memoirs.
The agreement gave petitioners the exclusive first serial right to
license prepublication excerpts. Two
years later, as the memoirs were nearing completion, petitioners, as the
copyright holders, negotiated a prepublication licensing agreement with Time
Magazine under which Time agreed to pay $25,000 ($12,500 in advance and the
balance at publication) in exchange for the right to excerpt 7,500 words from
Mr. Ford's account of his pardon of former President Nixon. Shortly before the Time article's scheduled
release, an unauthorized source provided The Nation Magazine with the
unpublished Ford manuscript. Working
directly from this manuscript, an editor of The Nation produced a 2,250‑word
article, at least 300 to 400 words of which consisted of verbatim quotes of
copyrighted expression taken from the manuscript. It was timed to "scoop" the Time article. As a result of the publication of The
Nation's article, Time canceled its article and refused to pay the remaining
$12,500 to petitioners. Petitioners
then brought suit in Federal District Court against respondent publishers of
The Nation, alleging, inter alia, violations of the Copyright Act (Act). The District Court held that the Ford
memoirs were protected by copyright at the time of The Nation publication and
that respondents' use of the copyrighted material constituted an infringement under
the Act, and the court awarded actual damages of $12,500. The Court of Appeals reversed, holding that
The Nation's publication of the 300 to 400 words it identified as copyrightable
expression was sanctioned as a "fair use" of the copyrighted material
under § 107 of the Act. Section 107
provides that notwithstanding the provisions of § 106 giving a copyright owner
the exclusive right to reproduce the copyrighted work and to prepare derivative
works based on the copyrighted work, the fair use of a copyrighted work for
purposes such as comment and news reporting is not an infringement of
copyright. Section 107 further provides
that in determining whether the use was fair the factors to be considered shall
include: (1) the purpose and character
of the use; (2) the nature of the
copyrighted work; (3) the
substantiality of the portion used in relation to the copyrighted work as a
whole; and (4) the effect on the
potential market for or value of the copyrighted work.
Held: The Nation's article
was not a "fair use" sanctioned by § 107. Pp. 2221‑2235.
(a) In using generous verbatim excerpts of Mr. Ford's unpublished
expression to lend authenticity to its account of the forthcoming memoirs, The
Nation effectively arrogated to itself the right of first publication, an
important marketable subsidiary right.
Pp. 2223‑2225.
(b) Though the right of first publication, like other rights
enumerated in § 106, is expressly made subject to the fair use provisions of §
107, fair use analysis must always be tailored to the individual case. The nature of the interest at stake is
highly relevant to whether a given use is fair. The unpublished nature of a work is a key, though not necessarily
determinative, factor tending to negate a defense of fair use. And under ordinary circumstances, the
author's right to control the first public appearance of his undisseminated
expression will outweigh a claim of fair use.
Pp. 2225‑2228.
(c) In view of the First Amendment's protections embodied in the
Act's distinction between copyrightable expression and uncopyrightable facts
and ideas, and the latitude for scholarship and comment traditionally afforded
by fair use, there is no warrant for expanding, as respondents contend should
be done, the fair use doctrine to what amounts to a public figure exception to
copyright. Whether verbatim copying
from a public figure's manuscript in a given case is or is not fair must be
judged according to the traditional equities of fair use. Pp. 2228‑2231.
(d) Taking into account the four factors enumerated in § 107 as
especially relevant in determining fair use, leads to the conclusion that the
use in question here was not fair. (i)
The fact that news reporting was the general purpose of The Nation's use is
simply one factor. While The Nation
had every right to be the first to publish the information, it went beyond
simply reporting uncopyrightable information and actively sought to exploit the
headline value of its infringement, making a "news event" out of its
unauthorized first publication. The
fact that the publication was commercial as opposed to nonprofit is a separate
factor tending to weigh against a finding of fair use. Fair use presupposes good faith. The Nation's unauthorized use of the
undisseminated manuscript had not merely the incidental effect but the intended
purpose of supplanting the copyright holders' commercially valuable right of
first publication. (ii) While there may
be a greater need to disseminate works of fact than works of fiction, The
Nation's taking of copyrighted expression exceeded that necessary to
disseminate the facts and infringed the copyright holders' interests in
confidentiality and creative control over the first public appearance of the
work. (iii) Although the verbatim
quotes in question were an insubstantial portion of the Ford manuscript, they
qualitatively embodied Mr. Ford's distinctive expression and played a key role
in the infringing article. (iv) As to
the effect of The Nation's article on the market for the copyrighted work, Time's
cancellation of its projected article and its refusal to pay $12,500 were the
direct effect of the infringing publication.
Once a copyright holder establishes a causal connection between the
infringement and loss of revenue, the burden shifts to the infringer to show
that the damage would have occurred had there been no taking of copyrighted
expression. Petitioners established a
prima facie case of actual damage that respondents failed to rebut. More important, to negate a claim of fair
use it need only be shown that if the challenged use should become widespread,
it would adversely affect the potential market for the copyrighted work. Here, The Nation's liberal use of verbatim
excerpts posed substantial potential for damage to the marketability of first
serialization rights in the copyrighted work.
Pp. 2231 ‑ 2235.
723 F.2d 195 (CA2 1983), reversed and remanded.
Edward A. Miller argued the cause for petitioners. With him on the briefs were Barbara Hufham
and David Otis Fuller, Jr.
Floyd Abrams argued the cause for respondents. With him on the brief were Devereux
Chatillon, Carol E. Rinzler, Andrew L. Deutsch, and Leon Friedman.*
* Briefs of amici curiae urging reversal were filed for the
Association of American Publishers, Inc., by Jon A. Baumgarten and Charles H.
Lieb; and for Volunteer Lawyers for the
Arts, Inc., by I. Fred Koenigsberg.
Briefs of amici curiae urging affirmance were filed for the Pen
American Center by Stephen Gillers; and
for Gannett Co., Inc., et al. by Melville B. Nimmer, Benjamin W. Heineman, Jr.,
Alice Neff Lucan, and Robert C. Lobdell.
Justice O'CONNOR delivered the opinion of the Court.
This case requires us to consider to what extent the "fair
use" provision of the Copyright Revision Act of 1976, (hereinafter the
Copyright Act) 17 U.S.C. § 107, sanctions the unauthorized use of quotations
from a public figure's unpublished manuscript. In March 1979, an undisclosed source provided The Nation
Magazine with the unpublished manuscript of "A Time to Heal: The Autobiography of Gerald R.
Ford." Working directly from the
purloined manuscript, an editor of The Nation produced a short piece entitled
"The Ford Memoirs‑‑Behind the Nixon Pardon." The piece was timed to "scoop" an
article scheduled shortly to appear in Time Magazine. Time had agreed to purchase the exclusive right to print
prepublication excerpts from the copyright holders, Harper & Row
Publishers, Inc. (hereinafter Harper & Row), and Reader's Digest Association,
Inc. (hereinafter Reader's Digest). As
a result of The Nation article, Time canceled its agreement. Petitioners brought a successful copyright
action against The Nation. On appeal,
the Second Circuit reversed the lower court's finding of infringement, holding
that The Nation's act was sanctioned as a "fair use" of the
copyrighted material. We granted certiorari, 467 U.S. 1214, 104 S.Ct. 2655, 81
L.Ed.2d 362 (1984), and we now reverse.
I
In February 1977, shortly after leaving the White House, former
President Gerald R. Ford contracted with petitioners Harper & Row and
Reader's Digest, to publish his as yet unwritten memoirs. The memoirs were to contain
"significant hitherto unpublished material" concerning the Watergate
crisis, Mr. Ford's pardon of former President Nixon and "Mr. Ford's
reflections on this period of history, and the morality and personalities
involved." App. to Pet. for Cert.
C‑14‑‑C‑15. In
addition to the right to publish the Ford memoirs in book form, the agreement
gave petitioners the exclusive right to license prepublication excerpts, known
in the trade as "first serial rights." Two years later, as the memoirs were nearing completion,
petitioners negotiated a prepublication licensing agreement with Time, a weekly
news magazine. Time agreed to pay
$25,000, $12,500 in advance and an additional $12,500 at publication, in
exchange for the right to excerpt 7,500 words from Mr. Ford's account of the
Nixon pardon. The issue featuring the
excerpts was timed to appear approximately one week before shipment of the full
length book version to bookstores.
Exclusivity was an important consideration; Harper & Row instituted procedures designed to maintain the
confidentiality of the manuscript, and Time retained the right to renegotiate
the second payment should the material appear in print prior to its release of
the excerpts.
Two to three weeks before the Time article's scheduled release, an
unidentified person secretly brought a copy of the Ford manuscript to Victor
Navasky, editor of The Nation, a political commentary magazine. Mr. Navasky knew that his possession of the
manuscript was not authorized and that the manuscript must be returned quickly
to his "source" to avoid discovery.
557 F.Supp. 1067, 1069 (SDNY 1983).
He hastily put together what he believed was "a real hot news
story" composed of quotes, paraphrases, and facts drawn exclusively from
the manuscript. Ibid. Mr. Navasky attempted no independent
commentary, research or criticism, in part because of the need for speed if he
was to "make news" by "publish[ing] in advance of publication of
the Ford book." App. 416‑417. The 2,250‑word article, reprinted in
the Appendix to this opinion, appeared on April 3, 1979. As a result of The Nation's article, Time
canceled its piece and refused to pay the remaining $12,500.
Petitioners brought suit in the District Court for the Southern
District of New York, alleging conversion, tortious interference with contract,
and violations of the Copyright Act.
After a 6‑day bench trial, the District Judge found that "A
Time to Heal" was protected by copyright at the time of The Nation
publication and that respondents' use of the copyrighted material constituted
an infringement under the Copyright Act, §§ 106(1), (2), and (3), protecting
respectively the right to reproduce the work, the right to license preparation
of derivative works, and the right of first distribution of the copyrighted
work to the public. App. to Pet. for
Cert. C‑29‑‑C‑ 30.
The District Court rejected respondents' argument that The Nation's piece
was a "fair use" sanctioned by § 107 of the Act. Though billed as "hot news," the
article contained no new facts. The
magazine had "published its article for profit," taking "the
heart" of "a soon‑to‑be‑published" work. This
unauthorized use "caused the Time agreement to be aborted and thus
diminished the value of the copyright."
557 F.Supp., at 1072. Although
certain elements of the Ford memoirs, such as historical facts and memoranda,
were not per se copyrightable, the District Court held that it was "the
totality of these facts and memoranda collected together with Ford's
reflections that made them of value to The Nation, [and] this ... totality ...
is protected by the copyright laws."
Id., at 1072‑1073. The
court awarded actual damages of $12,500.
A divided panel of the Court of Appeals for the Second Circuit
reversed. The majority recognized that
Mr. Ford's verbatim "reflections" were original
"expression" protected by copyright. But it held that the District Court had erred in assuming the
"coupling [of these reflections] with uncopyrightable fact transformed
that information into a copyrighted 'totality.' " 723 F.2d 195, 205 (CA2 1983). The majority noted that copyright attaches
to expression, not facts or ideas. It
concluded that, to avoid granting a copyright monopoly over the facts
underlying history and news, " 'expression' [in such works must be
confined] to its barest elements‑‑the ordering and choice of the
words themselves." Id., at
204. Thus similarities between the original
and the challenged work traceable to the copying or paraphrasing of
uncopyrightable material, such as historical facts, memoranda and other public
documents, and quoted remarks of third parties, must be disregarded in
evaluating whether the second author's use was fair or infringing.
"When the uncopyrighted material is stripped away, the
article in The Nation contains, at most, approximately 300 words that are
copyrighted. These remaining
paragraphs and scattered phrases are all verbatim quotations from the memoirs
which had not appeared previously in other publications. They include a short segment of Ford's
conversations with Henry Kissinger and several other individuals. Ford's impressionistic depictions of Nixon,
ill with phlebitis after the resignation and pardon, and of Nixon's character,
constitute the major portion of this material. It is these parts of the magazine piece on which [the court]
must focus in [its] examination of the question whether there was a 'fair use'
of copyrighted matter." Id., at
206.
Examining the four factors enumerated in § 107, see infra, at
2224, n. 2, the majority found the purpose of the article was "news
reporting," the original work was essentially factual in nature, the 300
words appropriated were insubstantial in relation to the 2,250‑word
piece, and the impact on the market for the original was minimal as "the
evidence [did] not support a finding that it was the very limited use of
expression per se which led to Time's decision not to print the excerpt." The Nation's borrowing of verbatim
quotations merely "len[t] authenticity to this politically significant
material ... complementing the reporting of the facts." 723 F.2d, at 208. The Court of Appeals was
especially influenced by the "politically significant" nature of the
subject matter and its conviction that it is not "the purpose of the
Copyright Act to impede that harvest of knowledge so necessary to a democratic
state" or "chill the activities of the press by forbidding a circumscribed
use of copyrighted words." Id., at
197, 209.
II
We agree with the Court of Appeals that copyright is intended to
increase and not to impede the harvest of knowledge. But we believe the Second Circuit gave insufficient deference to
the scheme established by the Copyright Act for fostering the original works
that provide the seed and substance of this harvest. The rights conferred by copyright are designed to assure
contributors to the store of knowledge a fair return for their labors.
Twentieth Century Music Corp. v. Aiken, 422 U.S. 151, 156, 95 S.Ct. 2040, 2043,
45 L.Ed.2d 84 (1975).
Article I, § 8, of the Constitution provides:
"The Congress shall have Power ... to Promote the Progress of
Science and useful Arts, by securing for limited Times to Authors and Inventors
the exclusive Right to their respective Writings and Discoveries."
As we noted last Term:
"[This] limited grant is a means by which an important public
purpose may be achieved. It is
intended to motivate the creative activity of authors and inventors by the
provision of a special reward, and to allow the public access to the products
of their genius after the limited period of exclusive control has
expired." Sony Corp. of America v.
Universal City Studios, Inc., 464 U.S. 417, 429, 104 S.Ct. 774, 782, 78 L.Ed.2d
574 (1984). "The monopoly created
by copyright thus rewards the individual author in order to benefit the
public." Id., at 477, 104 S.Ct.,
at 807 (dissenting opinion). This
principle applies equally to works of fiction and nonfiction. The book at issue here, for example, was
two years in the making, and began with a contract giving the author's
copyright to the publishers in exchange for their services in producing and
marketing the work. In preparing the
book, Mr. Ford drafted essays and word portraits of public figures and
participated in hundreds of taped interviews that were later distilled to
chronicle his personal viewpoint. It
is evident that the monopoly granted by copyright actively served its intended
purpose of inducing the creation of new material of potential historical value.
Section 106 of the Copyright Act confers a bundle of exclusive
rights to the owner of the copyright. [FN1]
Under the Copyright Act, these rights‑‑to publish, copy, and
distribute the author's work‑‑vest in the author of an original
work from the time of its creation.
§ 106. In practice, the author commonly sells his rights to publishers
who offer royalties in exchange for their services in producing and marketing
the author's work. The copyright
owner's rights, however, are subject to certain statutory exceptions. §§
107‑118. Among these is §
107 which codifies the traditional privilege of other authors to make
"fair use" of an earlier writer's work. [FN2] In addition, no author may copyright facts
or ideas. § 102. The copyright is
limited to those aspects of the work‑‑termed "expression"‑‑that
display the stamp of the author's originality.
FN1. Section 106 provides in pertinent part:
"Subject to sections 107 through 118, the owner of copyright
under this title has the exclusive rights to do and authorize any of the
following:
"(1) to reproduce the copyrighted work in copies ... ;
"(2) to prepare derivative works based upon the copyrighted
work;
"(3) to distribute copies ... of the copyrighted work to the
public...."
FN2. Section 107 states:
"Notwithstanding the provisions of section 106, the fair use
of a copyrighted work ... for purposes such as criticism, comment, news
reporting, teaching (including multiple copies for classroom use), scholarship,
or research, is not an infringement of copyright. In determining whether the use made of a work in any particular
case is a fair use the factors to be considered shall include‑‑
"(1) the purpose and character of the use, including whether
such use is of a commercial nature or is for nonprofit educational purposes;
"(2) the nature of the copyrighted work;
"(3) the amount and substantiality of the portion used in
relation to the copyrighted work as a whole;
and "(4) the effect of the
use upon the potential market for or value of the copyrighted work."
Creation of a nonfiction work, even a compilation of pure fact,
entails originality. See, e.g.,
Schroeder v. William Morrow & Co., 566 F.2d 3 (CA7 1977) (copyright in
gardening directory); cf. Burrow‑Giles
Lithographic Co. v. Sarony, 111 U.S. 53, 58, 4 S.Ct. 279, 281, 28 L.Ed. 349
(1884) (originator of a photograph may claim copyright in his work). The copyright holders of "A Time to
Heal" complied with the relevant statutory notice and registration
procedures. See §§ 106, 401, 408; App. to Pet. for Cert. C‑20. Thus there is no dispute that the
unpublished manuscript of "A Time to Heal," as a whole, was protected
by § 106 from unauthorized reproduction.
Nor do respondents dispute that verbatim copying of excerpts of the
manuscript's original form of expression would constitute infringement unless
excused as fair use. See 1 M. Nimmer,
Copyright § 2.11[B], p. 2‑159 (1984) (hereinafter Nimmer). Yet copyright does not prevent subsequent
users from copying from a prior author's work those constituent elements that
are not original‑‑for example, quotations borrowed under the rubric
of fair use from other copyrighted works, facts, or materials in the public
domain‑‑as long as such use does not unfairly appropriate the
author's original contributions. Ibid.;
A. Latman, Fair Use of Copyrighted Works (1958), reprinted as Study No.
14 in Copyright Law Revision Studies Nos. 14‑16, prepared for the Senate
Committee on the Judiciary, 86th Cong., 2d Sess., 7 (1960) (hereinafter
Latman). Perhaps the controversy
between the lower courts in this case over copyrightability is more aptly
styled a dispute over whether The Nation's appropriation of unoriginal and
uncopyrightable elements encroached on the originality embodied in the work as
a whole. Especially in the realm of
factual narrative, the law is currently unsettled regarding the ways in which
uncopyrightable elements combine with the author's original contributions to
form protected expression. Compare
Wainwright Securities Inc. v. Wall Street Transcript Corp., 558 F.2d 91 (CA2
1977) (protection accorded author's analysis, structuring of material and
marshaling of facts), with Hoehling v. Universal City Studios, Inc., 618 F.2d
972 (CA2 1980) (limiting protection to ordering and choice of words). See, e.g., 1 Nimmer § 2.11[D], at 2‑164‑‑2‑
165.
We need not reach these issues, however, as The Nation has
admitted to lifting verbatim quotes of the author's original language totaling
between 300 and 400 words and constituting some 13% of The Nation article. In using generous verbatim excerpts of Mr.
Ford'sunpublished manuscript to lend authenticity to its account of the
forthcoming memoirs, The Nation effectively arrogated to itself the right of
first publication, an important marketable subsidiary right. For the reasons set forth below, we find
that this use of the copyrighted manuscript, even stripped to the verbatim
quotes conceded by The Nation to be copyrightable expression, was not a fair
use within the meaning of the Copyright Act.
III
A
Fair use was traditionally defined as "a privilege in others
than the owner of the copyright to use the copyrighted material in a reasonable
manner without his consent." H.
Ball, Law of Copyright and Literary Property 260 (1944) (hereinafter
Ball). The statutory formulation of
the defense of fair use in the Copyright Act reflects the intent of Congress to
codify the common‑ law doctrine.
3 Nimmer § 13.05. Section 107
requires a case‑by‑case determination whether a particular use is
fair, and the statute notes four nonexclusive factors to be considered. This approach was "intended to restate
the [pre‑existing] judicial doctrine of fair use, not to change, narrow,
or enlarge it in any way."
H.R.Rep. No. 94‑1476, p. 66 (1976) (hereinafter House Report),
U.S.Code Cong. & Admin.News 1976, pp. 5659, 5680.
"[T]he author's consent to a reasonable use of his
copyrighted works ha[d] always been implied by the courts as a necessary
incident of the constitutional policy of promoting the progress of science and
the useful arts, since a prohibition of such use would inhibit subsequent
writers from attempting to improve upon prior works and thus ... frustrate the
very ends sought to be attained."
Ball 260. Professor Latman, in
a study of the doctrine of fair use commissioned by Congress for the revision
effort, see Sony Corp. of America v. Universal City Studios, Inc., 464 U.S., at
462‑463, n. 9, 104 S.Ct., at 781, n. 9 (dissenting opinion), summarized
prior law as turning on the "importance of the material copied or
performed from the point of view of the reasonable copyright owner. In other words, would the reasonable
copyright owner have consented to the use?" Latman 15. [FN3]
FN3. Professor Nimmer notes:
"[Perhaps] no more precise guide can be stated than Joseph
McDonald's clever paraphrase of the Golden Rule: 'Take not from others to such an extent and in such a manner that
you would be resentful if they so took from you.' " 3 Nimmer § 13.05[A], at 13‑66,
quoting McDonald, Non‑infringing Uses, 9 Bull. Copyright Soc. 466, 467
(1962). This "equitable rule of
reason," Sony Corp. of America v. Universal City Studios, Inc., 464 U.S.,
at 448, 104 S.Ct., at 792, "permits courts to avoid rigid application of
the copyright statute when, on occasion, it would stifle the very creativity
which that law is designed to foster."
Iowa State University Research Foundation, Inc. v. American Broadcasting
Cos., 621 F.2d 57, 60 (CA2 1980). See
generally L. Seltzer, Exemptions and Fair Use in Copyright 18‑48 (1978).
As early as 1841, Justice Story gave judicial recognition to the
doctrine in a case that concerned the letters of another former President,
George Washington.
"[A] reviewer may fairly cite largely from the original work,
if his design be really and truly to use the passages for the purposes of fair
and reasonable criticism. On the other
hand, it is as clear, that if he thus cites the most important parts of the
work, with a view, not to criticise, but to supersede the use of the original
work, and substitute the review for it, such a use will be deemed in law a
piracy." Folsom v. Marsh, 9 F.Cas.
342, 344‑345 (No. 4,901) (CC Mass.)
As Justice Story's hypothetical illustrates, the fair use doctrine
has always precluded a use that "supersede[s] the use of the
original." Ibid. Accord, S.Rep. No. 94‑473, p. 65
(1975) (hereinafter Senate Report).
Perhaps because the fair use doctrine was predicated on the
author's implied consent to "reasonable and customary" use when he
released his work for public consumption, fair use traditionally was not
recognized as a defense to charges of copying from an author's as yet
unpublished works. [FN4] Under common‑law
copyright, "the property of the author ... in his intellectual creation
[was] absolute until he voluntarily part[ed] with the same." American Tobacco Co. v. Werckmeister, 207
U.S. 284, 299, 28 S.Ct. 72, 77, 52 L.Ed. 208 (1907); 2 Nimmer § 8.23, at 8‑273. This absolute rule, however, was tempered in practice by the
equitable nature of the fair use doctrine.
In a given case, factors such as implied consent through de facto
publication on performance or dissemination of a work may tip the balance of
equities in favor of prepublication use.
See Copyright Law Revision‑‑Part 2: Discussion and Comments
on Report of the Register of Copyrights on General Revision of the U.S.
Copyright Law, 88th Cong., 1st Sess., 27 (H.R.Comm. Print 1963) (discussion
suggesting works disseminated to the public in a form not constituting a
technical "publication" should nevertheless be subject to fair
use); 3 Nimmer § 13.05, at 13‑62,
n. 2. But it has never been seriously
disputed that "the fact that the plaintiff's work is unpublished ... is a
factor tending to negate the defense of fair use." Ibid.
Publication of an author's expression before he has authorized its
dissemination seriously infringes the author's right to decide when and whether
it will be made public, a factor not present in fair use of published works.
[FN5] Respondents contend, however, that Congress, in including first
publication among the rights enumerated in § 106, which are expressly subject
to fair use under § 107, intended that fair use would apply in pari materia to
published and unpublished works. The
Copyright Act does not support this proposition.
FN4. See Latman 7;
Strauss, Protection of Unpublished Works (1957), reprinted as Study No.
29 in Copyright Law Revision Studies Nos. 29‑31, prepared for the Senate
Committee on the Judiciary, 86th Cong., 2d Sess., 4, n. 32 (1961) (citing
cases); R. Shaw, Literary Property in
the United States 67 (1950) ("[T]here can be no 'fair use' of unpublished
material"); Ball 260, n. 5 ("[T]he doctrine of fair use does not
apply to unpublished works"); A.
Weil, American Copyright Law § 276, p. 115 (1917) (the author of an unpublished
work "has, probably, the right to prevent even a 'fair use' of the work by
others"). Cf., M. Flint, A User's
Guide to Copyright ¶ 10.06 (1979) (United Kingdom) ("no fair dealing with
unpublished works"); Beloff v.
Pressdram Ltd., [1973] All E.R. 241, 263 (Ch. 1972) (same).
FN5. See, e.g., Wheaton v. Peters, 8 Pet. 591, 657, 8 L.Ed. 1055
(1834) (distinguishing the author's common‑law right to "obtain
redress against anyone who ... by improperly obtaining a copy [of his
unpublished work] endeavors to realize a profit by its publication" from
rights in a published work, which are prescribed by statute); Press Publishing Co. v. Monroe, 73 F. 196,
199 (CA2), writ of error dism'd, 164 U.S. 105, 17 S.Ct. 40, 41 L.Ed. 367
(1896); Stanley v. Columbia
Broadcasting System, Inc., 35 Cal.2d 653, 660‑661, 221 P.2d 73, 77‑78
(1950) (en banc); Golding v. RKO Radio Pictures, Inc., 193 P.2d 153, 162
(Cal.App.1948) ( "An unauthorized appropriation of [an unpublished work]
is not to be neutralized on the plea that 'it is such a little one' "),
aff'd, 35 Cal.2d 690, 221 P.2d 95 (1950);
Fendler v. Morosco, 253 N.Y. 281, 291, 171 N.E. 56, 59 ("Since
plaintiff had not published or produced her play, perhaps any use that others
made of it might be unfair"), rehearing denied, 254 N.Y. 563, 173 N.E. 867
(1930).
The Copyright Act represents the culmination of a major
legislative reexamination of copyright doctrine. See Mills Music, Inc. v. Snyder, 469 U.S. 153, 159‑160,
105 S.Ct. 638, at ‑‑‑‑, 83 L.Ed.2d 556 (1985); Sony Corp. of America v. Universal City
Studios, Inc., 464 U.S., at 462‑463, n. 9, 104 S.Ct., at 781, n. 9
(dissenting opinion). Among its other
innovations, it eliminated publication "as a dividing line between common
law and statutory protection," House Report, at 129 U.S.Code Cong. &
Admin.News 1976, p. 5745, extending statutory protection to all works from the
time of their creation. It also recognized for the first time a distinct
statutory right of first publication, which had previously been an element of
the common‑law protections afforded unpublished works. The Report of the House Committee on the
Judiciary confirms that "Clause (3) of section 106, establishes the
exclusive right of publications....
Under this provision the copyright owner would have the right to control
the first public distribution of an authorized copy ... of his work." Id., at 62 U.S.Code Cong. & Admin.News
1976, p. 5675.
Though the right of first publication, like the other rights
enumerated in § 106, is expressly made subject to the fair use provision of §
107, fair use analysis must always be tailored to the individual case. Id., at 65;
3 Nimmer § 13.05[A]. The nature
of the interest at stake is highly relevant to whether a given use is
fair. From the beginning, those
entrusted with the task of revision recognized the "overbalancing reasons
to preserve the common law protection of undisseminated works until the author
or his successor chooses to disclose them." Copyright Law Revision, Report of the Register of Copyrights on
the General Revision of the U.S. Copyright Law, 87th Cong., 1st Sess., 41
(Comm. Print 1961). The right of first
publication implicates a threshold decision by the author whether and in what
form to release his work. First
publication is inherently different from other § 106 rights in that only one
person can be the first publisher; as
the contract with Time illustrates, the commercial value of the right lies
primarily in exclusivity. Because the
potential damage to the author from judicially enforced "sharing" of
the first publication right with unauthorized users of his manuscript is
substantial, the balance of equities in evaluating such a claim of fair use
inevitably shifts.
The Senate Report confirms that Congress intended the unpublished
nature of the work to figure prominently in fair use analysis. In discussing fair use of photocopied
materials in the classroom the Committee Report states:
"A key, though not necessarily determinative, factor in fair
use is whether or not the work is available to the potential user. If the work is 'out of print' and
unavailable for purchase through normal channels, the user may have more justification
for reproducing it.... The
applicability of the fair use doctrine to unpublished works is narrowly limited
since, although the work is unavailable, this is the result of a deliberate
choice on the part of the copyright owner.
Under ordinary circumstances, the copyright owner's 'right of first
publication' would outweigh any needs of reproduction for classroom
purposes." Senate Report, at 64.
Although the Committee selected photocopying of classroom
materials to illustrate fair use, it emphasized that "the same general
standards of fair use are applicable to all kinds of uses of copyrighted
material." Id., at 65. We find unconvincing respondents'
contention that the absence of the quoted passage from the House Report
indicates an intent to abandon the traditional distinction between fair use of
published and unpublished works. It appears instead that thefair use discussion
of photocopying of classroom materials was omitted from the final Report
because educators and publishers in the interim had negotiated a set of
guidelines that rendered the discussion obsolete. House Report, at 67.
The House Report nevertheless incorporates the discussion by reference,
citing to the Senate Report and stating:
"The Committee has reviewed this discussion, and considers it still
has value as an analysis of various aspects of the [fair use]
problem." Ibid.
Even if the legislative history were entirely silent, we would be
bound to conclude from Congress' characterization of § 107 as a
"restatement" that its effect was to preserve existing law concerning
fair use of unpublished works as of other types of protected works and not to
"change, narrow, or enlarge it."
Id., at 66. We conclude that
the unpublished nature of a work is "[a] key, though not necessarily
determinative, factor" tending to negate a defense of fair use. Senate Report, at 64. See 3 Nimmer § 13.05, at 13‑62, n.
2; W. Patry, The Fair Use Privilege in
Copyright Law 125 (1985) (hereinafter Patry).
We also find unpersuasive respondents' argument that fair use may
be made of a soon‑to‑be‑published manuscript on the ground
that the author has demonstrated he has no interest in nonpublication. This argument assumes that the unpublished
nature of copyrighted material is only relevant to letters or other
confidential writings not intended for dissemination. It is true that common‑law copyright was often enlisted in
the service of personal privacy. See Brandeis & Warren, The Right to
Privacy, 4 Harv.L.Rev. 193, 198‑199 (1890). In its commercial guise, however, an author's right to choose
when he will publish is no less deserving of protection. The period encompassing the work's
initiation, its preparation, and its grooming for public dissemination is a
crucial one for any literary endeavor.
The Copyright Act, which accords the copyright owner the "right to
control the first public distribution" of his work, House Report, at 62,
echos the common law's concern that the author or copyright owner retain
control throughout this critical stage.
See generally Comment, The Stage of Publication as a "Fair
Use" Factor: Harper & Row,
Publishers v. Nation Enterprises, 58 St. John's L.Rev. 597 (1984). The obvious benefit to author and public
alike of assuring authors the leisure to develop their ideas free from fear of
expropriation outweighs any short‑term "news value" to be
gained from premature publication of the author's expression. See Goldstein, Copyright and the First
Amendment, 70 Colum.L.Rev. 983, 1004‑1006 (1970) (The absolute protection
the common law accorded to soon‑to‑be published works "[was]
justified by [its] brevity and expedience"). The author's control of first public distribution implicates not
only his personal interest in creative control but his property interest in
exploitation of prepublication rights, which are valuable in themselves and
serve as a valuable adjunct to publicity and marketing. See Belushi v. Woodward, 598 F.Supp. 36 (DC
1984) (successful marketing depends on coordination of serialization and release
to public); Marks, Subsidiary Rights
and Permissions, in What Happens in Book Publishing 230 (C. Grannis ed. 1967)
(exploitation of subsidiary rights is necessary to financial success of new
books). Under ordinary circumstances,
the author's right to control the first public appearance of his undisseminated
expression will outweigh a claim of fair use.
B
Respondents, however, contend that First Amendment values require
a different rule under the circumstances of this case. The thrust of the decision below is that
"[t]he scope of [fair use] is undoubtedly wider when the information
conveyed relates to matters of high public concern." Consumers Union of
the United States, Inc. v. General Signal Corp., 724 F.2d 1044, 1050 (CA2 1983)
(construing 723 F.2d 195 (CA2 1983) (case below) as allowing advertiser to
quote Consumer Reports), cert. denied, 469 U.S. 823, 104 S.Ct. 2655, 81 L.Ed.2d
362 (1984). Respondents advance the
substantial public import of the subject matter of the Ford memoirs as grounds
for excusing a use that would ordinarily not pass muster as a fair use‑‑the
piracy of verbatim quotations for the purpose of "scooping" the
authorized first serialization.
Respondents explain their copying of Mr. Ford's expression as essential
to reporting the news story it claims the book itself represents. In
respondents' view, not only the facts contained in Mr. Ford's memoirs, but
"the precise manner in which [he] expressed himself [were] as newsworthy
as what he had to say." Brief for
Respondents 38‑39. Respondents
argue that the public's interest in learning this news as fast as possible
outweighs the right of the author to control its first publication.
The Second Circuit noted, correctly, that copyright's
idea/expression dichotomy "strike[s] a definitional balance between the
First Amendment and the Copyright Act by permitting free communication of facts
while still protecting an author's expression." 723 F.2d, at 203. No
author may copyright his ideas or the facts he narrates. 17 U.S.C. § 102(b). See, e.g., New York Times Co. v. United
States, 403 U.S. 713, 726, n. , 91 S.Ct. 2140, 2147, n. , 29 L.Ed.2d 822 (1971)
(BRENNAN, J., concurring) (Copyright laws are not restrictions on freedom of
speech as copyright protects only form of expression and not the ideas
expressed); 1 Nimmer § 1.10[B]. As this Court long ago observed: "[T]he news element‑‑the
information respecting current events contained in the literary production‑‑is
not the creation of the writer, but is a report of matters that ordinarily are
publici juris; it is the history of the
day." International News Service
v. Associated Press, 248 U.S. 215, 234, 39 S.Ct. 68, 71, 63 L.Ed. 211
(1918). But copyright assures those
who write and publish factual narratives such as "A Time to Heal"
that they may at least enjoy the right to market the original expression
contained therein as just compensation for their investment. Cf. Zacchini v. Scripps‑Howard
Broadcasting Co., 433 U.S. 562, 575, 97 S.Ct. 2849, 2857, 53 L.Ed.2d 965
(1977).
Respondents' theory, however, would expand fair use to effectively
destroy any expectation of copyright protection in the work of a public
figure. Absent such protection, there
would be little incentive to create or profit in financing such memoirs, and
the public would be denied an important source of significant historical
information. The promise of copyright
would be an empty one if it could be avoided merely by dubbing the infringement
a fair use "news report" of the book. See Wainwright Securities Inc. v. Wall Street Transcript Corp.,
558 F.2d 91 (CA2 1977), cert. denied, 434 U.S. 1014, 98 S.Ct 730, 54 L.Ed.2d
759 (1978).
Nor do respondents assert any actual necessity for circumventing
the copyright scheme with respect to the types of works and users at issue
here. [FN6] Where an author and publisher have invested extensive resources in
creating an original work and are poised to release it to the public, no
legitimate aim is served by pre‑empting the right of first
publication. The fact that the words
the author has chosen to clothe his narrative may of themselves be
"newsworthy" is not an independent justification for unauthorized
copying of the author's expression prior to publication. To paraphrase another recent Second Circuit
decision:
FN6. It bears noting that Congress in the Copyright Act recognized
a public interest warranting specific exemptions in a number of areas not
within traditional fair use, see, e.g., 17 U.S.C. § 115 (compulsory license for
records); § 105 (no copyright in
Government works). No such exemption limits
copyright in personal narratives written by public servants after they leave
Government service.
"[Respondent] possessed an unfettered right to use any
factual information revealed in [the memoirs] for the purpose of enlightening
its audience, but it can claim no need to 'bodily appropriate' [Mr. Ford's]
'expression' of that information by utilizing portions of the actual
[manuscript]. The public interest in
the free flow of information is assured by the law's refusal to recognize a
valid copyright in facts. The fair use
doctrine is not a license for corporate theft, empowering a court to ignore a
copyright whenever it determines the underlying work contains material of
possible public importance." Iowa
State University Research Foundation, Inc. v. American Broadcasting Cos., Inc.,
621 F.2d 57, 61 (CA2 1980) (citations omitted).
Accord, Roy Export Co. Establishment v. Columbia Broadcasting
System, Inc., 503 F.Supp. 1137 (SDNY 1980) ("newsworthiness" of
material copied does not justify copying), aff'd, 672 F.2d 1095 (CA2), cert.
denied, 459 U.S. 826, 103 S.Ct. 60, 74 L.Ed.2d 63 (1982); Quinto v. Legal Times of Washington, Inc.,
506 F.Supp. 554 (DC 1981) (same).
In our haste to disseminate news, it should not be forgotten that
the Framers intended copyright itself to be the engine of free expression. By establishing a marketable right to the
use of one's expression, copyright supplies the economic incentive to create
and disseminate ideas. This Court
stated in Mazer v. Stein, 347 U.S. 201, 219, 74 S.Ct. 460, 471, 98 L.Ed. 630
(1954):
"The economic philosophy behind the clause empowering
Congress to grant patents and copyrights is the conviction that encouragement
of individual effort by personal gain is the best way to advance public welfare
through the talents of authors and inventors in 'Science and useful Arts.'
"
And again in Twentieth Century Music Corp. v. Aiken:
"The immediate effect of our copyright law is to secure a
fair return for an 'author's' creative labor.
But the ultimate aim is, by this incentive, to stimulate [the creation
of useful works] for the general public good." 422 U.S., at 156, 95 S.Ct., at 2043.
It is fundamentally at odds with the scheme of copyright to accord
lesser rights in those works that are of greatest importance to the
public. Such a notion ignores the
major premise of copyright and injures author and public alike. "[T]o propose that fair use be imposed
whenever the 'social value [of dissemination] ... outweighs any detriment to
the artist,' would be to propose depriving copyright owners of their right in
the property precisely when they encounter those users who could afford to pay
for it." Gordon, Fair Use as Market Failure: A Structural and Economic Analysis of the Betamax Case and its
Predecessors, 82 Colum.L.Rev. 1600, 1615 (1982). And as one commentator has noted: "If every volume that was in the public interest could be
pirated away by a competing publisher, ... the public [soon] would have nothing
worth reading." Sobel, Copyright
and the First Amendment: A Gathering
Storm?, 19 ASCAP Copyright Law Symposium 43, 78 (1971). See generally Comment, Copyright and the
First Amendment; Where Lies the Public
Interest?, 59 Tulane L.Rev. 135 (1984).
Moreover, freedom of thought and expression "includes both
the right to speak freely and the right to refrain from speaking at
all." Wooley v. Maynard, 430 U.S.
705, 714, 97 S.Ct. 1428, 1435, 51 L.Ed.2d 752 (1977) (BURGER, C.J.). We do not
suggest this right not to speak would sanction abuse of the copyright owner's
monopoly as an instrument to suppress facts.
But in the words of New York's Chief Judge Fuld:
"The essential thrust of the First Amendment is to prohibit
improper restraints on the voluntary public expression of ideas; it shields the man who wants to speak or
publish when others wish him to be quiet.
There is necessarily, and within suitably defined areas, a concomitant
freedom not to speak publicly, one which serves the same ultimate end as
freedom of speech in its affirmative aspect." Estate of Hemingway v. Random House, Inc., 23 N.Y.2d 341, 348,
296 N.Y.S.2d 771, 776, 244 N.E.2d 250, 255 (1968).
Courts and commentators have recognized that copyright, and the
right of first publication in particular, serve this countervailing First Amendment
value. See Schnapper v. Foley, 215
U.S.App.D.C. 59, 667 F.2d 102 (1981), cert. denied, 455 U.S. 948, 102 S.Ct.
1448, 71 L.Ed.2d 661 (1982); 1 Nimmer §
1.10[B], at 1‑70, n. 24; Patry
140‑142.
In view of the First Amendment protections already embodied in the
Copyright Act's distinction between copyrightable expression and
uncopyrightable facts and ideas, and the latitude for scholarship and comment
traditionally afforded by fair use, we see no warrant for expanding the
doctrine of fair use to create what amounts to a public figure exception to
copyright. Whether verbatim copying
from a public figure's manuscript in a given case is or is not fair must be
judged according to the traditional equities of fair use.
IV
Fair use is a mixed question of law and fact. Pacific & Southern Co. v. Duncan, 744
F.2d 1490, 1495, n. 8 (CA11 1984).
Where the district court has found facts sufficient to evaluate each of
the statutory factors, an appellate court "need not remand for further
factfinding ... [but] may conclude as a matter of law that [the challenged use]
do[es] not qualify as a fair use of the copyrighted work." Id., at 1495. Thus whether The Nation article constitutes fair use under § 107
must be reviewed in light of the principles discussed above. The factors enumerated in the section are
not meant to be exclusive:
"[S]ince the doctrine is an equitable rule of reason, no generally
applicable definition is possible, and each case raising the question must be
decided on its own facts." House
Report, at 65, U.S.Code Cong. & Admin.News 1976, p. 5678. The four factors identified by Congress as
especially relevant in determining whether the use was fair are: (1) the purpose and character of the
use; (2) the nature of the copyrighted
work; (3) the substantiality of the
portion used in relation to the copyrighted work as a whole; (4) the effect on the potential market for
or value of the copyrighted work. We
address each one separately.
Purpose of the Use. The
Second Circuit correctly identified news reporting as the general purpose of
The Nation's use. News reporting is
one of the examples enumerated in § 107 to "give some idea of the sort of
activities the courts might regard as fair use under the circumstances."
Senate Report, at 61. This listing was
not intended to be exhaustive, see ibid.;
§ 101 (definition of
"including" and "such as"), or to single out any particular
use as presumptively a "fair" use.
The drafters resisted pressures from special interest groups to create
presumptive categories of fair use, but structured the provision as an
affirmative defense requiring a case‑by‑case analysis. See H.R.Rep. No. 83, 90th Cong., 1st Sess.,
37 (1967); Patry 477, n. 4. "[W]hether a use referred to in the
first sentence of section 107 is a fair use in a particular case will depend
upon the application of the determinative factors, including those mentioned in
the second sentence." Senate Report, at 62. The fact that an article arguably is "news" and
therefore a productive use is simply one factor in a fair use analysis.
We agree with the Second Circuit that the trial court erred in
fixing on whether the information contained in the memoirs was actually new to
the public. As Judge Meskill wisely
noted, "[c]ourts should be chary of deciding what is and what is not
news." 723 F.2d, at 215
(dissenting). Cf. Gertz v. Robert
Welch, Inc., 418 U.S. 323, 345‑346, 94 S.Ct. 2997, 3009‑ 3010, 41
L.Ed.2d 789 (1974). "The issue is
not what constitutes 'news,' but whether a claim of newsreporting is a valid
fair use defense to an infringement of copyrightable expression." Patry 119. The Nation has every right to seek to be the first to publish
information. But The Nation went
beyond simply reporting uncopyrightable information and actively sought to
exploit the headline value of its infringement, making a "news event"
out of its unauthorized first publication of a noted figure's copyrighted
expression.
The fact that a publication was commercial as opposed to nonprofit
is a separate factor that tends to weigh against a finding of fair use. "[E]very commercial use of copyrighted
material is presumptively an unfair exploitation of the monopoly privilege that
belongs to the owner of the copyright."
Sony Corp. of America v. Universal City Studios, Inc., 464 U.S., at 451,
104 S.Ct., at 793. In arguing that the
purpose of news reporting is not purely commercial, The Nation misses the point
entirely. The crux of the
profit/nonprofit distinction is not whether the sole motive of the use is
monetary gain but whether the user stands to profit from exploitation of the
copyrighted material without paying the customary price. See Roy Export Co. Establishment v.
Columbia Broadcasting System, Inc., 503 F.Supp., at 1144; 3 Nimmer § 13.05[A], at 13‑71, n.
25.3.
In evaluating character and purpose we cannot ignore The Nation's
stated purpose of scooping the forthcoming hardcover and Time abstracts. [FN7]
App. to Pet. for Cert. C‑27. The
Nation's use had not merely the incidental effect but the intended purpose of
supplanting the copyright holder's commercially valuable right of first
publication. See Meredith Corp. v.
Harper & Row, Publishers, Inc., 378 F.Supp. 686, 690 (SDNY) (purpose of
text was to compete with original), aff'd, 500 F.2d 1221 (CA2 1974). Also relevant to the "character"
of the use is "the propriety of the defendant's conduct." 3 Nimmer § 13.05[A], at 13‑72. "Fair use presupposes 'good faith' and
'fair dealing.' " Time Inc. v.
Bernard Geis Associates, 293 F.Supp. 130, 146 (SDNY 1968), quoting Schulman,
Fair Use and the Revision of the Copyright Act, 53 Iowa L.Rev. 832 (1968). The trial court found that The Nation
knowingly exploited a purloined manuscript.
App. to Pet. for Cert. B‑1, C‑20‑‑C‑21, C‑28‑‑C‑29. Unlike the typical claim of fair use, The
Nation cannot offer up even the fiction of consent as justification. Like its
competitor newsweekly, it was free to bid for the right of abstracting excerpts
from "A Time to Heal." Fair
use "distinguishes between 'a true scholar and a chiseler who infringes a
work for personal profit.' " Wainwright Securities Inc. v. Wall Street
Transcript Corp., 558 F.2d, at 94, quoting from Hearings on Bills for the
General Revision of the Copyright Law before the House Committee on the Judiciary,
89th Cong., 1st Sess., ser. 8, pt. 3, p. 1706 (1966) (statement of John
Schulman).
FN7. The dissent excuses The Nation's unconsented use of an
unpublished manuscript as "standard journalistic practice," taking
judicial notice of New York Times articles regarding the memoirs of John
Erlichman, John Dean's "Blind Ambition," and Bernstein and Woodward's
"The Final Days" as proof of such practice. Post, at 2246‑2248, and n. 14. Amici curiae sought to bring this alleged practice to the
attention of the Court of Appeals for the Second Circuit, citing these same
articles. The Court of Appeals, at
Harper & Row's motion, struck these exhibits for failure of proof at trial,
Record Doc. No. 19; thus they are not a
proper subject for this Court's judicial notice.
Nature of the Copyrighted Work.
Second, the Act directs attention to the nature of the copyrighted
work. "A Time to Heal" may be
characterized as an unpublished historical narrative or autobiography. The law generally recognizes a greater need
to disseminate factual works than works of fiction or fantasy. See Gorman, Fact or Fancy? The Implications for Copyright, 29 J.
Copyright Soc. 560, 561 (1982).
"[E]ven within the field of fact works, there are gradations
as to the relative proportion of fact and fancy. One may move from sparsely embellished maps and directories to
elegantly written biography. The
extent to which one must permit expressive language to be copied, in order to
assure dissemination of the underlying facts, will thus vary from case to
case." Id., at 563.
Some of the briefer quotes from the memoirs are arguably necessary
adequately to convey the facts; for
example, Mr. Ford's characterization of the White House tapes as the
"smoking gun" is perhaps so integral to the idea expressed as to be
inseparable from it. Cf. 1 Nimmer §
1.10[C]. But The Nation did not stop at
isolated phrases and instead excerpted subjective descriptions and portraits of
public figures whose power lies in the author's individualized expression. Such use, focusing on the most expressive
elements of the work, exceeds that necessary to disseminate the facts.
The fact that a work is unpublished is a critical element of
its "nature." 3 Nimmer § 13.05[A]; Comment, 58 St. John's L.Rev., at 613. Our
prior discussion establishes that the scope of fair use is narrower with
respect to unpublished works. While
even substantial quotations might qualify as fair use in a review of a
published work or a news account of a speech that had been delivered to the
public or disseminated to the press, see House Report, at 65, the author's
right to control the first public appearance of his expression weighs against
such use of the work before its release.
The right of first publication encompasses not only the choice whether
to publish at all, but also the choices of when, where, and in what form first
to publish a work.
In the case of Mr. Ford's manuscript, the copyright holders'
interest in confidentiality is irrefutable;
the copyright holders had entered into a contractual undertaking to
"keep the manuscript confidential" and required that all those to
whom the manuscript was shown also "sign an agreement to keep the
manuscript confidential." App. to
Pet. for Cert. C‑19‑‑C‑20. While the copyright holders' contract with Time required Time to
submit its proposed article seven days before publication, The Nation's
clandestine publication afforded no such opportunity for creative or quality
control. Id., at C‑ 18. It was hastily patched together and contained
"a number of inaccuracies."
App. 300b‑300c (testimony of Victor Navasky). A use that so clearly infringes the
copyright holder's interests in confidentiality and creative control is
difficult to characterize as "fair."
Amount and Substantiality of the Portion Used. Next, the Act directs us to examine the
amount and substantiality of the portion used in relation to the copyrighted
work as a whole. In absolute terms,
the words actually quoted were an insubstantial portion of "A Time to
Heal." The District Court,
however, found that "[T]he Nation took what was essentially the heart of
the book." 557 F.Supp., at 1072. We believe the Court of Appeals erred in
overruling the District Judge's evaluation of the qualitative nature of the
taking. See, e.g., Roy Export Co.
Establishment v. Columbia Broadcasting System,Inc., 503 F.Supp., at 1145
(taking of 55 seconds out of 1 hour and 29‑minute film deemed
qualitatively substantial). A Time
editor described the chapters on the pardon as "the most interesting and
moving parts of the entire manuscript."
Reply Brief for Petitioners 16, n. 8.
The portions actually quoted were selected by Mr. Navasky as among the
most powerful passages in those chapters.
He testified that he used verbatim excerpts because simply reciting the
information could not adequately convey the "absolute certainty with which
[Ford] expressed himself," App. 303;
or show that "this comes from President Ford," id., at
305; or carry the "definitive
quality" of the original, id., at 306.
In short, he quoted these passages precisely because they qualitatively
embodied Ford's distinctive expression.
As the statutory language indicates, a taking may not be excused
merely because it is insubstantial with respect to the infringing work. As Judge Learned Hand cogently remarked,
"no plagiarist can excuse the wrong by showing how much of his work he did
not pirate." Sheldon v. Metro‑Goldwyn
Pictures Corp., 81 F.2d 49, 56 (CA2), cert. denied, 298 U.S. 669, 56 S.Ct. 835,
80 L.Ed. 1392 (1936). Conversely, the
fact that a substantial portion of the infringing work was copied verbatim is
evidence of the qualitative value of the copied material, both to the
originator and to the plagiarist who seeks to profit from marketing someone else's
copyrighted expression.
Stripped to the verbatim quotes, [FN8] the direct takings from the
unpublished manuscript constitute at least 13% of the infringing article. See Meeropol v. Nizer, 560 F.2d 1061, 1071
(CA2 1977) (copyrighted letters constituted less than 1% of infringing work but
were prominently featured). The Nation
article is structured around the quoted excerpts which serve as its dramatic
focal points. See Appendix to this
opinion, post, p. 2235. In view of the
expressive value of the excerpts and their key role in the infringing work, we
cannot agree with the Second Circuit that the "magazine took a meager,
indeed an infinitesimal amount of Ford's original language." 723 F.2d, at 209.
FN8. See Appendix to this opinion, post, p. 2235. The Court of Appeals found that only
"approximately 300 words" were copyrightable but did not specify
which words. The court's discussion,
however, indicates it excluded from consideration those portions of The
Nation's piece that, although copied verbatim from Ford's manuscript, were
quotes attributed by Ford to third persons and quotations from Government
documents. At oral argument, counsel
for The Nation did not dispute that verbatim quotes and very close paraphrase
could constitute infringement. Tr. of
Oral Arg. 24‑ 25. Thus the
Appendix identifies as potentially infringing only verbatim quotes or very
close paraphrase and excludes from consideration Government documents and words
attributed to third persons. The
Appendix is not intended to endorse any particular rule of copyrightability but
is intended merely as an aid to facilitate our discussion.
Effect on the Market.
Finally, the Act focuses on "the effect of the use upon the
potential market for or value of the copyrighted work." This last factor
is undoubtedly the single most important element of fair use. [FN9] See 3 Nimmer § 13.05[A], at 13‑76, and
cases cited therein. "Fair use,
when properly applied, is limited to copying by others which does not
materially impair the marketability of the work which is copied." 1 Nimmer § 1.10[D], at 1‑87. The trial court found not merely a
potential but an actual effect on the market.
Time's cancellation of its projected serialization and its refusal to
pay the $12,500 were the direct effect of the infringement. The Court of Appeals rejected this
factfinding as clearly erroneous, noting that the record did not establish a
causal relation between Time's nonperformance and respondents' unauthorized
publication of Mr. Ford's expression as opposed to the facts taken from the
memoirs. We disagree. Rarely will a case of copyright
infringement present such clear‑cut evidence of actual damage. Petitioners assured Time that there would
be no other authorized publication of any portion of the unpublished manuscript
prior to April 23, 1979. Any
publication of material from chapters 1 and 3 would permit Time to renegotiate
its final payment. Time cited The Nation's
article, which contained verbatim quotes from the unpublished manuscript, as a
reason for its nonperformance. With
respect to apportionment of profits flowing from a copyright infringement, this
Court has held that an infringer who commingles infringing and noninfringing
elements "must abide the consequences, unless he can make a separation of
the profits so as to assure to the injured party all that justly belongs to
him." Sheldon v. Metro‑Goldwyn
Pictures Corp., 309 U.S. 390, 406, 60 S.Ct. 681, 687, 84 L.Ed. 825 (1940). Cf.
17 U.S.C. § 504(b) (the infringer is required to prove elements of profits
attributable to other than the infringed work). Similarly, once a copyright holder establishes with reasonable
probability the existence of a causal connection between the infringement and a
loss of revenue, the burden properly shifts to the infringer to show that this
damage would have occurred had there been no taking of copyrighted
expression. See 3 Nimmer § 14.02, at
14‑7‑‑14‑8.1.
Petitioners established a prima facie case of actual damage that
respondents failed to rebut. See
Stevens Linen Associates, Inc. v. Mastercraft Corp., 656 F.2d 11, 15 (CA2
1981). The trial court properly
awarded actual damages and accounting of profits. See 17 U.S.C. § 504(b).
FN9. Economists who have addressed the issue believe the fair use
exception should come into play only in those situations in which the market
fails or the price the copyright holder would ask is near zero. See, e.g., T.
Brennan, Harper & Row v. The Nation, Copyrightability and Fair Use, Dept.
of Justice Economic Policy Office Discussion Paper 13‑17 (1984); Gordon, Fair Use as Market Failure: A Structural and Economic Analysis of the
Betamax Case and its Predecessors, 82 Colum.L.Rev. 1600, 1615 (1982). As the facts here demonstrate, there is a
fully functioning market that encourages the creation and dissemination of
memoirs of public figures. In the
economists' view, permitting "fair use" to displace normal copyright
channels disrupts the copyright market without a commensurate public benefit.
More important, to negate fair use one need only show that if the
challenged use "should become widespread, it would adversely affect the
potential market for the copyrighted work." Sony Corp. of America v. Universal City Studios, Inc., 464 U.S.,
at 451, 104 S.Ct., at 793 (emphasis added);
id., at 484, and n. 36, 104 S.Ct., at 810, and n. 36 (collecting cases)
(dissenting opinion). This inquiry
must take account not only of harm to the original but also of harm to the
market for derivative works. See Iowa
State University Research Foundation, Inc. v. American Broadcasting Cos., 621
F.2d 57 (CA2 1980); Meeropol v. Nizer,
supra, at 1070; Roy Export v. Columbia
Broadcasting System, Inc., 503 F.Supp., at 1146. "If the defendant's work adversely affects the value of any
of the rights in the copyrighted work (in this case the adaptation [and
serialization] right) the use is not fair." 3 Nimmer § 13.05[B], at 13‑77‑‑13‑78
(footnote omitted).
It is undisputed that the factual material in the balance of The
Nation's article, besides the verbatim quotes at issue here, was drawn
exclusively from the chapters on the pardon.
The excerpts were employed as featured episodes in a story about the
Nixon pardon‑‑precisely the use petitioners had licensed to
Time. The borrowing of these verbatim
quotes from the unpublished manuscript lent The Nation's piece a special air of
authenticity‑‑as Navasky expressed it, the reader would know it was
Ford speaking and not The Nation. App. 300c.
Thus it directly competed for a share of the market for prepublication
excerpts. The Senate Report states:
"With certain special exceptions ... a use that supplants any
part of the normal market for a copyrighted work would ordinarily be considered
an infringement." Senate Report,
at 65.
Placed in a broader perspective, a fair use doctrine that permits
extensive prepublication quotations from an unreleased manuscript without the
copyright owner's consent poses substantial potential for damage to the
marketability of first serialization rights in general. "Isolated instances of minor
infringements, when multiplied many times, become in the aggregate a major
inroad on copyright that must be prevented." Ibid.
V
The Court of Appeals erred in concluding that The Nation's use of
the copyrighted material was excused by the public's interest in the subject
matter. It erred, as well, in
overlooking the unpublished nature of the work and the resulting impact on the
potential market for first serial rights of permitting unauthorized
prepublication excerpts under the rubric of fair use. Finally, in finding the
taking "infinitesimal," the Court of Appeals accorded too little
weight to the qualitative importance of the quoted passages of original
expression. In sum, the traditional
doctrine of fair use, as embodied in the Copyright Act, does not sanction the
use made by The Nation of these copyrighted materials. Any copyright infringer may claim to
benefit the public by increasing public access to the copyrighted work. See Pacific & Southern Co. v. Duncan,
744 F.2d, at 1499‑1500. But
Congress has not designed, and we see no warrant for judicially imposing, a
"compulsory license" permitting unfettered access to the unpublished
copyrighted expression of public figures.
The Nation conceded that its verbatim copying of some 300 words of
direct quotation from the Ford manuscript would constitute an infringement
unless excused as a fair use. Because
we find that The Nation's use of these verbatim excerpts from the unpublished
manuscript was not a fair use, the judgment of the Court of Appeals is
reversed, and the case is remanded for further proceedings consistent with this
opinion.
It is so ordered.
APPENDIX TO OPINION OF THE COURT
The portions of The Nation article which were copied verbatim from
"A Time to Heal," excepting quotes from Government documents and
quotes attributed by Ford to third persons, are identified in boldface in the
text. See ante, at 2237, n. 7. The corresponding passages in the Ford
manuscript are footnoted.
THE FORD MEMOIRS BEHIND THE
NIXON PARDON
In his memoirs, A Time To Heal, which Harper & Row will
publish in late May or early June, former President Gerald R. Ford says that
the idea of giving a blanket pardon to Richard M. Nixon was raised before Nixon
resigned from the Presidency by Gen. Alexander Haig, who was then the White
House chief of staff.
Ford also writes that, but for a misunderstanding, he might have
selected Ronald Reagan as his 1976 running mate, that Washington lawyer Edward
Bennett Williams, a Democrat, was his choice for head of the Central
Intelligence Agency, that Nixon was the one who first proposed Rockefeller for
Vice President, and that he regretted his "cowardice" [FN1] in allowing Rockefeller to remove
himself from Vice Presidential contention.
Ford also describes his often prickly relations with Henry Kissinger.
FN1. I was angry at myself for showing cowardice in not saying to
the ultra‑conservatives, "It's going to be Ford and Rockefeller,
whatever the consequences." p.
496.
The Nation obtained the 655‑page typescript before
publication. Advance excerpts from the
book will appear in Time in mid‑April and in The Reader's Digest
thereafter. Although the initial print
order has not been decided, the figure is tentatively set at 50,000; it could change, depending upon the public
reaction to the serialization.
Ford's account of the Nixon pardon contains significant new detail
on the negotiations and considerations that surrounded it. According to Ford's version, the subject
was first broached to him by General Haig on August 1, 1974, a week before
Nixon resigned. General Haig revealed
that the newly transcribed White House tapes were the equivalent of the
"smoking gun" [FN2] and that Ford should prepare himself to become
President.
FN2. [I]t contained the so‑called smoking gun. p. 3.
Ford was deeply hurt by Haig's revelation: "Over the past several months Nixon had
repeatedly assured me that he was not involved in Watergate, that the evidence
would prove his innocence, that the matter would fade from view."
[FN3] Ford had believed him, but he let
Haig explain the President's alternatives.
FN3. [O]ver the past several months Nixon had repeatedly assured
me that he was not involved in Watergate, that the evidence would prove his
innocence, that the matter would fade from view. p. 7.
He could "ride it out"
[FN4] or he could resign, Haig said.
He then listed the different ways Nixon might resign and concluded by
pointing out that Nixon could agree to leave in return for an agreement that
the new President, Ford, would pardon him. [FN5] Although Ford said it would be improper for him to make any
recommendation, he basically agreed with Haig's assessment and adds,
"Because of his references to the pardon authority, I did ask Haig about
the extent of a President's pardon power." [FN6]
FN4. The first [option] was that he could try to "ride it
out" by letting impeachment take its natural course through the House and
the Senate trial, fighting against conviction all the way. p. 4.
FN5. Finally, Haig said that according to some on Nixon's White
House staff, Nixon could agree to leave in return for an agreement that the new
President‑‑Gerald Ford‑‑would pardon him. p. 5.
FN6. Because of his references to pardon authority, I did ask Haig
about the extent of a President's pardon power. pp. 5‑6.
"It's my understanding from a White House lawyer," Haig
replied, "that a President does have authority to grant a pardon even
before criminal action has been taken against an individual."
But because Ford had neglected to tell Haig he thought the idea of
a resignation conditioned on a pardon was improper, his press aide, Bob
Hartmann, suggested that Haig might well have returned to the White House and
told President Nixon that he had mentioned the idea and Ford seemed comfortable
with it. "Silence implies
assent."
Ford then consulted with White House special counsel James St.
Clair, who had no advice one way or the other on the matter more than pointing
out that he was not the lawyer who had given Haig the opinion on the
pardon. Ford also discussed the matter
with Jack Marsh, who felt that the mention of a pardon in this context was a
"time bomb," and with Bryce Harlow, who had served six Presidents and
who agreed that the mere mention of a pardon "could cause a lot of
trouble." [FN7]
FN7. Only after I had finished did [Bryce Harlow] let me know in
no uncertain terms that he agreed with Bob and Jack, that the mere mention of
the pardon option could cause a lot of trouble in the days ahead. p.
18.
As a result of these various conversations, Vice President Ford
called Haig and read him a written statement:
"I want you to understand that I have no intention of recommending
what the President should do about resigning or not resigning and that nothing
we talked about yesterday afternoon should be given any consideration in
whatever decision the President may wish to make."
Despite what Haig had told him about the "smoking gun"
tapes, Ford told a Jackson, Mich., luncheon audience later in the day that the
President was not guilty of an impeachable offense. "Had I said otherwise at that moment," he writes,
"the whole house of cards might have collapsed." [FN8]
FN8. During the luncheon I repeated my assertion that the
President was not guilty of an impeachable offense. Had I said otherwise at that moment, the whole house of cards
might have collapsed. p. 21.
In justifying the pardon, Ford goes out of his way to assure the
reader that "compassion for Nixon as an individual hhadn't prompted my decision at
all." [FN9] Rather, he did it because he had "to
get the monkey off my back one way or the other." [FN10]
FN9. But compassion for Nixon as an individual hadn't prompted my
decision at all. p. 266.
FN10. I had to get the monkey off my back one way or another. p. 236.
The precipitating factor in his decision was a series of secret
meetings his general counsel, Phil Buchen, held with Watergate Special
Prosecutor Leon Jaworski in the Jefferson Hotel, where they were both staying
at the time. Ford attributes Jaworski with providing some "crucial"
information [FN11]‑‑ i.e.,
that Nixon was under investigation in ten separate areas, and that the court
process could "take years."
[FN12] Ford cites a memorandum
from Jaworski's assistant, Henry S. Ruth Jr., as being especially
persuasive. Ruth had written:
FN11. Jaworski gave Phil several crucial pieces of
information. p. 246.
FN12. And if the verdict was Guilty, one had to assume that Nixon
would appeal. That process would take
years. p. 248.
"If you decide to recommend indictment I think it is fair and
proper to notify Jack Miller and the White House sufficiently in advance so
that pardon action could be taken before the indictment." He went on to say: "One can make a strong argument for
leniency and if President Ford is so inclined, I think he ought to do it early
rather than late."
Ford decided that court proceedings against Nixon might take six
years, that Nixon "would not spend time quietly in San
Clemente," [FN13] and "it
would be virtually impossible for me to direct public attention on anything
else." [FN14]
FN13. The entire process would no doubt require years: a minimum of two, a maximum of six. And Nixon would not spend time quietly in
San Clemente. p. 238.
FN14. It would be virtually impossible for me to direct public
attention on anything else. p. 239.
Buchen, Haig and Henry Kissinger agreed with him. Hartmann was not so sure.
Buchen wanted to condition the pardon on Nixon agreeing to settle
the question of who would retain custody and control over the tapes and
Presidential papers that might be relevant to various Watergate proceedings,
but Ford was reluctant to do that.
At one point a plan was considered whereby the Presidential
materials would be kept in a vault at a Federal facility near San Clemente, but
the vault would require two keys to open it.
One would be retained by the General Services Administration, the other
by Richard Nixon.
The White House did, however, want Nixon to make a full confession
on the occasion of his pardon or, at a minimum, express true contrition. Ford tells of the negotiation with Jack
Miller, Nixon's lawyer, over the wording of Nixon's statement. But as Ford reports Miller's response. Nixon was not likely to yield. "His few meetings with his client had
shown him that the former President's ability to discuss Watergate objectively
was almost nonexistent." [FN15]
FN15. But [Miller] wasn't optimistic about getting such a
statement. His few meetings with his
client had shown him that the former President's ability to discuss Watergate
objectively was almost nonexistent. p.
246.
The statement they really wanted was never forthcoming. As soon as Ford's emissary arrived in San
Clemente, he was confronted with an ultimatum by Ron Zeigler, Nixon's former
press secretary. "Lets get one
thing straight immediately," Zeigler said. "President Nixon is not issuing any statement whatsoever
regarding Watergate, whether Jerry Ford pardons him or not." Zeigler
proposed a draft, which was turned down on the ground that "no statement
would be better than that."
[FN16] They went through three
more drafts before they agreed on the statement Nixon finally made, which
stopped far short of a full confession.
FN16. When Zeigler asked Becker what he thought of it, Becker
replied that no statement would be better than that. p. 251.
When Ford aide Benton Becker tried to explain to Nixon that
acceptance of a pardon was an admission of guilt, he felt the President wasn't
really listening. Instead, Nixon
wanted to talk about the Washington Redskins.
And when Becker left, Nixon pressed on him some cuff links and a tiepin
"out of my own jewelry box."
Ultimately, Ford sums up the philosophy underlying his decision as
one he picked up as a student at Yale Law School many years before. "I learned that public policy often
took precedence over a rule of law.
Although I respected the tenet that no man should be above the law,
public policy demanded that I put Nixon‑‑and Watergate‑‑behind
us as quickly as possible." [FN17]
FN17. Years before, at Yale Law School, I'd learned that public
policy often took precedence over a rule of law. Although I respected the tenet that no man should be above the
law, public policy demanded that I put Nixon‑‑and Watergate‑‑behind
us as quickly as possible. p. 256.
Later, when Ford learned that Nixon's phlebitis had acted up and
his health was seriously impaired, he debated whether to pay the ailing former
President a visit. "If I made the
trip it would remind everybody of Watergate and the pardon. If I didn't, people would say I lacked
compassion." [FN18] Ford went:
FN18. My staff debated whether or not I ought to visit Nixon at
the Long Beach Hospital, only half an hour away. If I made the trip, it would remind everyone of Watergate and
the pardon. If I didn't, people would
say I lacked compassion. I ended their
debate as soon as I found out it had begun.
Of course I would go. p. 298.
He was stretched out flat on his back. There were tubes in his nose and mouth, and wires led from his
arms, chest and legs to machines with orange lights that blinked on and
off. His face was ashen, and I thought
I had never seen anyone closer to death. [FN19]
FN19. He was stretched out flat on his back. There were tubes in his nose and mouth, and
wires led from his arms, chest and legs to machines with orange lights that
blinked on and off. His face was
ashen, and I thought I had never seen anyone closer to death. p. 299.
The manuscript made available to The Nation includes many
references to Henry Kissinger and other personalities who played a major role
during the Ford years.
On Kissinger. Immediately
after being informed by Nixon of his intention to resign, Ford returned to the
Executive Office Building and phoned Henry Kissinger to let him know how he
felt. "Henry," he said,
"I need you. The country needs you.
I want you to stay. I'll do
everything I can to work with you ."
[FN20]
FN20. "Henry," I said when he came on the line, "I
need you. The country needs you. I want you to stay. I'll do everything I can to work with
you." p. 46.
"Sir," Kissinger replied, "it is my job to get
along with you and not yours to get along with me."
"We'll get along," Ford said. "I know we'll get along." Referring to Kissinger's joint jobs as Secretary of State and
National Security Adviser to the President, Ford said, "I don't want to
make any change. I think it's worked
out well, so let's keep it that way."
[FN21]
FN21. "We'll get along," I said. "I know we can get along." We talked about the two hats he wore, as
Secretary of State and National Security Adviser to the President. "I don't want to make any change,"
I said. "I think it's worked out
well, so let's keep it that way."
p. 46.
Later Ford did make the change and relieved Kissinger of his
responsibilities as National Security Adviser at the same time that he fired
James Schlesinger as Secretary of Defense.
Shortly thereafter, he reports, Kissinger presented him with a
"draft" letter of resignation, which he said Ford could call upon at
will if he felt he needed it to quiet dissent from conservatives who objected
to Kissinger's role in the firing of Schlesinger.
On John Connally. When
Ford was informed that Nixon wanted him to replace Agnew, he told the President
he had "no ambition to hold office after January 1977." [FN22]
Nixon replied that that was good since his own choice for his running
mate in 1976 was John Connally.
"He'd be excellent," observed Nixon. Ford says he had "no problem with that."
FN22. I told him about my promise to Betty and said that I had no
ambitions to hold office after January 1977.
p. 155.
On the Decision to Run Again.
Ford was, he tells us, so sincere in his intention not to run again that
he thought he would announce it and enhance his credibility in the country and
the Congress, as well as keep the promise he had made to his wife, Betty.
Kissinger talked him out of it.
"You can't do that. It
would be disastrous from a foreign policy point of view. For the next two and a half years foreign
governments would know that they were dealing with a lame‑duck
President. All our initiatives would
be dead in the water, and I wouldn't be able to implement your foreign
policy. It would probably have the
same consequences in dealing with the Congress on domestic issues. You can't reassert the authority of the
Presidency if you leave yourself hanging out on a dead limb. You've got to be an affirmative
President."
On David Kennerly, the White House photographer. Schlesinger was arguing with Kissinger and
Ford over the appropriate response to the seizure of the Mayaguez. At issue was whether airstrikes against the
Cambodians were desirable; Schlesinger
was opposed to bombings. Following a
lull in the conversation, Ford reports, up spoke the 30‑year‑old
White House photographer, David Kennerly, who had been taking pictures for the
last hour.
"Has anyone considered," Kennerly asked, "that this
might be the act of a local Cambodian commander who has just taken it into his
own hands to stop any ship that comes by?" Nobody, apparently, had considered it, but following several
seconds of silence, Ford tells us, the view carried the day. "Massive airstrikes would constitute
overkill," Ford decided. "It
would be far better to have Navy jets from the Coral Sea make surgical strikes
against specific targets." [FN23]
FN23. Subjectively, I felt that what Kennerly had said made a lot
of sense. Massive airstrikes would
constitute overkill. It would be far
better to have Navy jets from the Coral Sea make surgical strikes against
specific targets in the vicinity of Kompong Som. p. 416.
On Nixon's Character.
Nixon's flaw, according to Ford, was
"pride." "A
terribly proud man," writes Ford, "he detested weakness in other
people. I'd often heard him speak
disparagingly of those whom he felt to be soft and expedient. (Curiously, he didn't feel that the press
was weak. Reporters, he sensed, were his adversaries. He knew they didn't like him, and he responded with reciprocal
disdain.)" [FN24]
FN24. In Nixon's case, that flaw was pride. A terribly proud man, he detested weakness
in other people. I'd often heard him
speak disparagingly of those whom he felt to be soft and expedient. (Curiously, he didn't feel that the press
was weak. Reporters, he sensed, were
his adversaries. He knew they didn't
like him, and he responded with reciprocal disdain.) p. 53.
Nixon felt disdain for the Democratic leadership of the House, whom
he also regarded as weak. According to
Ford, "His pride and personal contempt for weakness had overcome his
ability to tell the difference between right and wrong," [FN25] all of which leads Ford to wonder
whether Nixon had known in advance about Watergate.
FN25. His pride and personal contempt for weakness had overcome
his ability to tell the difference between right and wrong. p. 54.
On hearing Nixon's resignation speech, which Ford felt lacked an
adequate plea for forgiveness, he was persuaded that "Nixon was out of
touch with reality." [FN26]
FN26. The speech lasted fifteen minutes, and at the end I was
convinced Nixon was out of touch with reality. p. 57.
In February of last year, when The Washington Post obtained and
printed advance excerpts from H.R. Haldeman's memoir, The Ends of Power, on the
eve of its publication by Times Books, The New York Times called The Post's
feat "a second‑rate burglary."
The Post disagreed, claiming that its coup represented "first‑rate
enterprise" and arguing that it had burglarized nothing, that publication
of the Haldeman memoir came under the Fair Comment doctrine long recognized by
the courts, and that "There is a fundamental journalistic principle here‑‑a
First Amendment principle that was central to the Pentagon Papers case."
In the issue of The Nation dated May 5, 1979, our special Spring
Books number, we will discuss some of the ethical problems raised by the issue
of disclosure.
Justice BRENNAN, with whom Justice WHITE and Justice MARSHALL
join, dissenting.
The Court holds that The Nation's quotation of 300 words from the
unpublished 200,000‑word manuscript of President Gerald R. Ford infringed
the copyright in that manuscript, even though the quotations related to a
historical event of undoubted significance‑‑the resignation and
pardon of President Richard M. Nixon.
Although the Court pursues the laudable goal of protecting "the
economic incentive to create and disseminate ideas," ante, at 2230, this
zealous defense of the copyright owner's prerogative will, I fear, stifle the
broad dissemination of ideas and information copyright is intended to nurture.
Protection of the copyright owner's economic interest is achieved in this case
through an exceedingly narrow definition of the scope of fair use. The
progress of arts and sciences and the robust public debate essential to an
enlightened citizenry are ill served by this constricted reading of the fair
use doctrine. See 17 U.S.C. §
107. I therefore respectfully dissent.
I
A
This case presents two issues.
First, did The Nation's use of material from the Ford manuscript in
forms other than direct quotation from that manuscript infringe Harper &
Row's copyright. Second, did the
quotation of approximately 300 words from the manuscript infringe the copyright
because this quotation did not constitute "fair use" within the
meaning of § 107 of the Copyright Act.
17 U.S.C. § 107. The Court
finds no need to resolve the threshold copyrightability issue. The use of 300 words of quotation was, the
Court finds, beyond the scope of fair use and thus a copyright infringement.
[FN1] Because I disagree with the
Court's fair use holding, it is necessary for me to decide the threshold
copyrightability question.
FN1. In bypassing the threshold issue, the Court certainly does
not intimate that The Nation's use of ideas and information other than the
quoted material would constitute a violation of the copyright laws. At one point in its opinion the Court
correctly states the governing principles with respect to the copyrightability
question. See ante, at 2229 ("No
author may copyright his ideas or the facts he narrates").
B
"The enactment of copyright legislation by Congress under the
terms of the Constitution is not based upon any natural right that the author
has in his writings ... but upon the ground that the welfare of the public will
be served and progress of science and useful arts will be promoted by securing
to authors for limited periods the exclusive rights to their writings."
H.R.Rep. No. 2222, 60th Cong., 2d Sess., 7 (1909). Congress thus seeks to define the rights included in copyright
so as to serve the public welfare and not necessarily so as to maximize an
author's control over his or her product. The challenge of copyright is to
strike the "difficult balance between the interests of authors and
inventors in the control and exploitation of their writings and discoveries on
the one hand, and society's competing interest in the free flow of ideas,
information, and commerce on the other hand." Sony Corp. of America v. Universal City Studios, Inc., 464 U.S.
417, 429, 104 S.Ct. 774, 782, 78 L.Ed.2d 574 (1984).
The "originality" requirement now embodied in § 102 of
the Copyright Act is crucial to maintenance of the appropriate balance between
these competing interests. [FN2]
Properly interpreted in the light of the legislative history, this
section extends copyright protection to an author's literary form but permits
free use by others of the ideas and information the author communicates. See S.Rep. No. 93‑983, pp. 107‑108
(1974) ("Copyright does not preclude others from using the ideas or
information revealed by the author's work.
It pertains to the literary ... form in which the author expressed
intellectual concepts"); H.R.Rep.
No. 94‑1476, pp. 56‑57 (1976) (same); New York Times Co. v. United States, 403 U.S. 713, 726, n. *, 91
S.Ct. 2140, 2147, n. *, 29 L.Ed.2d 822 (1971) (BRENNAN, J., concurring)
("[T]he copyright laws, of course, protect only the form of expression and
not the ideas expressed"). This
limitation of protection to literary form precludes any claim of copyright in
facts, including historical narration.
FN2. Section 102(b) states:
"In no case does copyright protection for an original work of
authorship extend to any idea, procedure, process, system, method of operation,
concept, principle, or discovery, regardless of the form in which it is
described, explained, illustrated, or embodied in such work." 17 U.S.C. § 102(b). The doctrines of fair use, see 17 U.S.C. §
107, and substantial similarity, see 3 M. Nimmer, Copyright § 13.05 (1984)
(hereinafter Nimmer), also function to accommodate these competing
considerations. See generally Gorman,
Fact or Fancy? The Implications for
Copyright, 29 J. Copyright Soc. 560 (1982).
"It is not to be supposed that the framers of the
Constitution, when they empowered Congress 'to promote the progress of science
and useful arts, by securing for limited times to authors and inventors the
exclusive right to their respective writings and discoveries' (Const., Art. I,
§ 8, par. 8), intended to confer upon one who might happen to be the first to
report a historic event the exclusive right for any period to spread the
knowledge of it." International
News Service v. Associated Press, 248 U.S. 215, 234, 39 S.Ct. 68, 70, 63 L.Ed.
211 (1918).
Accord, Rosemont Enterprises, Inc. v. Random House, Inc., 366 F.2d
303, 309 (CA2 1966), cert. denied, 385 U.S. 1009, 87 S.Ct. 714, 17 L.Ed.2d 546
(1967). See 1 Nimmer § 2.11[A], at 2‑158.
[FN3]
FN3. By the same token, an author may not claim copyright in
statements made by others and reported verbatim in the author's work. See Suid
v. Newsweek Magazine, 503 F.Supp. 146, 148 (DC 1980); Rokeach v. Avco Embassy
Pictures Corp., 197 USPQ 155, 161 (SDNY 1978).
The "promotion of science and the useful arts" requires
this limit on the scope of an author's control. Were an author able to prevent subsequent authors from using
concepts, ideas, or facts contained in his or her work, the creative process
would wither and scholars would be forced into unproductive replication of the
research of their predecessors. See
Hoehling v. Universal City Studios, Inc., 618 F.2d 972, 979 (CA2 1980). This limitation on copyright also ensures
consonance with our most important First Amendment values. Cf. Zacchini v. Scripps‑Howard
Broadcasting Co., 433 U.S. 562, 577, n. 13, 97 S.Ct. 2849, 2858 n. 13, 53
L.Ed.2d 965 (1977). Our "profound
national commitment to the principle that debate on public issues should be
uninhibited, robust, and wide‑open," New York Times Co. v. Sullivan,
376 U.S. 254, 270, 84 S.Ct. 710, 721, 11 L.Ed.2d 686 (1964), leaves no room for
a statutory monopoly over information and ideas. "The arena of public debate would be quiet, indeed, if a
politician could copyright his speeches or a philosopher his treatises and thus
obtain a monopoly on the ideas they contained." Lee v. Runge, 404 U.S. 887, 893, 92 S.Ct. 197, 200, 30 L.Ed.2d
169 (1971) (Douglas, J., dissenting from denial of certiorari). A broad dissemination of principles, ideas,
and factual information is crucial to the robust public debate and informed
citizenry that are "the essence of self‑ government." Garrison v. Louisiana, 379 U.S. 64, 74‑75,
85 S.Ct. 209, 215‑ 216, 13 L.Ed.2d 125 (1964). And every citizen must be permitted freely to marshal ideas and
facts in the advocacy of particular political choices. [FN4]
FN4. It would be perverse to prohibit government from limiting the
financial resources upon which a political speaker may draw, see FEC v.
National Conservative Political Action Committee, 470 U.S. 480, 105 S.Ct. 1459,
84 L.Ed.2d 455 (1985), but to permit government to limit the intellectual resources upon which that
speaker may draw.
It follows that infringement of copyright must be based on a
taking of literary form, as opposed to the ideas or information contained in a
copyrighted work. Deciding whether an
infringing appropriation of literary form has occurred is difficult for at
least two reasons. First, the distinction
between literary form and information or ideas is often elusive in
practice. Second, infringement must be
based on a substantial appropriation of literary form. This determination is equally challenging.
Not surprisingly, the test for infringement has defied precise formulation.
[FN5] In general, though, the inquiry
proceeds along two axes: how closely
has the second author tracked the first author's particular language and
structure of presentation; and how much
of the first author's language and structure has the second author
appropriated. [FN6]
FN5. The protection of literary form must proscribe more than
merely word‑for‑word appropriation of substantial portions of an
author's work. Otherwise a plagiarist could avoid infringement by immaterial
variations. Nichols v. Universal Pictures Corp., 45 F.2d 119, 121 (CA2
1930). The step beyond the narrow and
clear prohibition of wholesale copying is,
however, a venture onto somewhat uncertain terrain. Compare Hoehling v. Universal City Studios,
Inc., 618 F.2d 972, 974 (CA2 1980), with Wainwright Securities Inc. v. Wall
Street Transcript Corp., 558 F.2d 91 (CA2 1977). See also 1 Nimmer § 1.10B, at 1‑73‑‑1‑74
("It is the particular selection and arrangement of ideas, as well as a
given specificity in the form of their expression, which warrants
protection"); Chafee, Reflections on the Law of Copyright: I, 45 Colum.L.Rev. 503, 513 (1945)
("[T]he line ... lie[s] somewhere between the author's idea and the
precise form in which he wrote it down....
[T]he protection covers the 'pattern' of the work"); Gorman, supra, at 593 ("too literal and
substantial copying and paraphrasing of ... language").
FN6. The inquiry into the substantiality of appropriation has a
quantitative and a qualitative aspect.
In the present case the infringement analysis must be applied to a
historical biography in which the author has chronicled the events of his White
House tenure and commented on those events from his unique perspective. Apart from the quotations, virtually all of
the material in The Nation's article indirectly recounted Mr. Ford's factual
narrative of the Nixon resignation and pardon, his latter‑day reflections
on some events of his Presidency, and his perceptions of the personalities at
the center of those events. See ante,
at 2235 ‑ 2240. No copyright can
be claimed in this information qua information. Infringement would thus have to be based on too close and
substantial a tracking of Mr. Ford's expression of this information. [FN7]
FN7. Neither the District Court nor the dissent in the Court of
Appeals approached the question in this way.
Despite recognizing that this material was not "per se
copyrightable," the District Court held that the "totality of these
facts and memoranda collected together with Mr. Ford's reflections ... is
protected by the copyright laws."
557 F.Supp. 1067, 1072‑1073 (SDNY 1983). The dissent in the Court of Appeals signaled approval of this
approach. 723 F.2d 195, 213‑214
(CA2 1983) (Meskill, J., dissenting).
Such an approach must be rejected.
Copyright protection cannot be extended to factual information whenever
that information is interwoven with protected expression (purportedly in this
case Mr. Ford's reflections) into an expressive "totality." Most works of history or biography blend
factual narrative and reflective or speculative commentary in this way. Precluding subsequent use of facts so
presented cannot be squared with the
specific legislative intent, expressed in both House and Senate Reports, that
"[c]opyright does not preclude others from using the ... information
revealed by the author's work."
See S.Rep. No. 93‑983, pp. 107‑108 (1974); H.R.Rep. No. 94‑1476, pp. 56‑57
(1976). The core purposes of copyright
would be thwarted and serious First Amendment concerns would arise. An author could obtain a monopoly on
narration of historical events simply by being the first to discuss them in a
reflective or analytical manner.
The Language. Much of the
information The Nation conveyed was not in the form of paraphrase at all, but
took the form of synopsis of lengthy discussions in the Ford manuscript.
[FN8] In the course of this summary
presentation, The Nation did use occasional sentences that closely resembled
language in the original Ford manuscript. [FN9] But these linguistic similarities are insufficient to constitute
an infringement for three reasons.
First, some leeway must be given to subsequent authors seeking to convey
facts because those "wishing to express the ideas contained in a factual
work often can choose from only a narrow range of expression." Landsberg v. Scrabble Crossword Game
Players, Inc., 736 F.2d 485, 488 (CA9 1984).
Second, much of what The Nation paraphrased was material in which Harper
& Row could claim no copyright. [FN10]
Third, The Nation paraphrased nothing approximating the totality of a
single paragraph, much less a chapter or the work as a whole. At most The Nation paraphrased disparate
isolated sentences from the original.
A finding of infringement based on paraphrase generally requires far
more close and substantial a tracking of the original language than occurred in
this case. See, e.g., Wainwright
Securities Inc. v. Wall Street Transcript Corp., 558 F.2d 91 (CA2 1977).
FN8. For example, the Ford manuscript expends several hundred
words discussing relations between Mr. Ford and Ronald Reagan in the weeks
before the Republican Convention of 1976:
"About a month before the convention, my aides had met with
Reagan's representatives to discuss the need for party unity. And they had reached an agreement. At the end of the Presidential balloting,
the winner would go to the loser's hotel suite and congratulate his opponent
for waging a fine campaign. Together,
they would appear at a press conference and urge all Republicans to put aside
their differences and rally behind the ticket. That was the only way we could leave Kansas City with a hope of
victory. When it appeared I was going
to win, Sears contacted Cheney and refined the scenario. He
insisted on two conditions. The first
was that I had to see Reagan alone;
there could be no aides from either camp in the room. Secondly, under no circumstances should I
offer him the nomination to be Vice President. Reagan had said all along that he wasn't interested in the
job. He had meant what he said. If I tried to talk him out of it, he would
have to turn me down, and that would be embarrassing because it would appear
that he was refusing to help the GOP.
When Cheney relayed those conditions to me, I agreed to go along with
them. I would need Reagan's assistance
in the fall campaign. It would be
stupid to anger him or his followers at this moment. "Later I was told
that just before my arrival at the Californian's hotel, one of his closest
advisors, businessman Justin Dart, had urged him to say yes if I asked him to
be my running mate, Regardless of
anything he'd said before, Dart had insisted, it was his patriotic duty to
accept the number two post. Finally,
according to Dart, Reagan had agreed.
But at the time, no one mentioned this new development to me. Had I been aware of the Dart‑Reagan
conversation, would I have chosen him?
I can't say for sure‑‑I thought his challenge had been
divisive, and that it would probably hurt the party in the fall campaign; additionally, I resented some of the things
that he'd been saying about me and my Administration's policies‑‑but
I certainly would have considered him." App. 628‑629. The Nation encapsulated this discussion in
the following sentence: "Ford also
writes that, but for a misunderstanding, he might have selected Ronald Reagan
as his 1976 running mate." Id., at
627. In most other instances, a single
sentence or brief paragraph in The Nation's article similarly conveys the gist
of a discussion in the Ford manuscript that runs into the hundreds of
words. See generally Addendum B to
Defendant's Post‑ Trial Memorandum, id., at 627‑704.
FN9. For example, at one point The Nation's article reads: "Ford told a Jackson, Mich., luncheon
audience later in the day that the President was not guilty of an impeachable
offense." Ante, at 2236. The
portion of the Ford manuscript discussed stated: "Representative Thad Cochran ... escorted me to a luncheon
at the Jackson Hilton Hotel. During
the luncheon I repeated my assertion that the President was not guilty of an
impeachable offense." App.
649. In several other places the
language in The Nation's article parallels Mr. Ford's original expression to a
similar degree. Compare ante, at 2235 ‑
2240, with App. 627‑704.
FN10. Often the paraphrasing was of statements others had made to
Mr. Ford. E.g., ante, at 2235 ("He could 'ride it out' or he could
resign, Haig said"). See
generally ante, at 2235 ‑ 2240.
No copyright can be asserted in the verbatim representation of such
statements of others. 17 U.S.C. § 102.
See Suid v. Newsweek Magazine, 503 F.Supp., at 148; Rokeach v. Avco Embassy Pictures Corp., 197
USPQ, at 161. Other paraphrased
material came from Government documents in which no copyright interest can be
claimed. For example, the article
quotes from a memorandum prepared by Henry S. Ruth, Jr., in his official
capacity as assistant to Watergate Special Prosecutor Leon Jaworski. See ante, at 2236. This document is a work of the United
States Government. See 17 U.S.C. §
105.
The Structure of Presentation.
The article does not mimic Mr. Ford's structure. The information The Nation presents is
drawn from scattered sections of the Ford work and does not appear in the
sequence in which Mr. Ford presented it. [FN11] Some of The Nation's discussion of the pardon does roughly track
the order in which the Ford manuscript presents information about the pardon. With respect to this similarity, however,
Mr. Ford has done no more than present the facts chronologically and cannot
claim infringement when a subsequent author similarly presents the facts of
history in a chronological manner.
Also, it is difficult to suggest that a 2,000‑word article could
bodily appropriate the structure of a 200,000‑word book. Most of what Mr. Ford created, and most of
the history he recounted, were simply not represented in The Nation's article.
[FN12]
FN11. According to an exhibit Harper & Row introduced at trial
the pages in the Ford manuscript that correspond to consecutive sections of the
article are as follows: 607‑608,
401, 44, 496, 1, 2‑3, 4, 8, 7, 4‑5, 5, 5‑ 6, 8, 14, 15, 16,
16, 18, 19, 21, 266, 236, 246, 248, 249, 238‑239, 239, 243, 245, 246,
250, 250‑251, 251, 252, 253, 254, 256, 298, 299, 46, 494, 537, 155‑156,
216, 415, 416, 416, 53‑54, 57.
See App. to Pet. for Cert. E‑1 to E‑41.
FN12. In one sense The Nation "copied" Mr. Ford's
selection of facts because it reported on only those facts Mr. Ford chose to
select for presentation. But this
tracking of a historian's selection of facts generally should not supply the
basis for a finding of infringement.
See Myers v. Mail & Express Co., 36 Copyright Off.Bull. 478 (SDNY
1919) (L. Hand, J.). To hold otherwise
would be to require a second author to duplicate the research of the first
author so as to avoid reliance on the
first author's judgment as to what facts are particularly
pertinent. " 'It is just such
wasted effort that the proscription against the copyright of ideas and facts
... are designed to prevent.' "
Miller v. Universal City Studios, Inc., 650 F.2d 1365, 1371 (CA5 1981),
quoting Rosemont Enterprises, Inc. v. Random House, Inc., 366 F.2d 303, 310
(CA2 1966). See Gorman, 29 J. Copyright Soc., at 594‑595.
When The Nation was not quoting Mr. Ford, therefore, its efforts
to convey the historical information in the Ford manuscript did not so closely
and substantially track Mr. Ford's language and structure as to constitute an
appropriation of literary form.
II
The Nation is thus liable in copyright only if the quotation of
300 words infringed any of Harper & Row's exclusive rights under § 106 of
the Act. Section 106 explicitly makes the grant of exclusive rights
"[s]ubject to section 107 through 118." 17 U.S.C. § 106. Section
107 states: "Notwithstanding the provisions of section 106, the fair use
of a copyrighted work ... for purposes such as criticism, comment, news
reporting, teaching (including multiple copies for classroom use), scholarship
or research, is not an infringement of copyright." The question here is whether The Nation's
quotation was a noninfringing fair use within the meaning of § 107.
Congress "eschewed a rigid, bright‑line approach to
fair use." Sony Corp. of America
v. Universal City Studios, Inc., 464 U.S., at 449, n. 31, 104 S.Ct., at 792, n.
31. A court is to apply an
"equitable rule of reason" analysis, id., at 448, 104 S.Ct., at 792
guided by four statutorily prescribed factors:
"(1) the purpose and character of the use, including whether
such use is of a commercial nature or is for nonprofit educational purposes;
"(2) the nature of the copyrighted work;
"(3) the amount and substantiality of the portion used in
relation to the copyrighted work as a whole;
and
"(4) the effect of the use upon the potential market for or
value of the copyrighted work." 17
U.S.C. § 107.
These factors are not necessarily the exclusive determinants of
the fair use inquiry and do not mechanistically resolve fair use issues; "no generally applicable definition is
possible, and each case raising the question must be decided on its own
facts." H.R.Rep. No. 94‑1476,
at 65. See also id., at 66
("[T]he endless variety of situations and combinations of circumstances
that can arise in particular cases precludes the formulation of exact rules in
the statute"); S.Rep. No. 94‑473,
p. 62 (1975). The statutory factors
do, however, provide substantial guidance to courts undertaking the proper fact‑
specific inquiry.
With respect to a work of history, particularly the memoirs of a
public official, the statutorily prescribed analysis cannot properly be
conducted without constant attention to copyright's crucial distinction between
protected literary form and unprotected information or ideas. The question must always be: Was the subsequent author's use of literary
form a fair use within the meaning of § 107, in light of the purpose for the
use, the nature of the copyrighted work, the amount of literary form used, and
the effect of this use of literary form on the value of or market for the
original?
Limiting the inquiry to the propriety of a subsequent author's use
of the copyright owner's literary form is not easy in the case of a work of
history. Protection against only
substantial appropriation of literary form does not ensure historians a return
commensurate with the full value of their labors. The literary form contained in works like "A Time to
Heal" reflects only a part of the labor that goes into the book. It is the labor of collecting, sifting,
organizing, and reflecting that predominates in the creation of works of
history such as this one. The value
this labor produces lies primarily in the information and ideas revealed, and
not in the particular collocation of words through which the information and
ideas are expressed. Copyright thus
does not protect that which is often of most value in a work of history, and
courts must resist the tendency to reject the fair use defense on the basis of
their feeling that an author of history has been deprived of the full value of
his or her labor. A subsequent
author's taking of information and ideas is in no sense piratical because
copyright law simply does not create any property interest in information and
ideas.
The urge to compensate for subsequent use of information and ideas
is perhaps understandable. An inequity
seems to lurk in the idea that much of the fruit of the historian's labor may
be used without compensation. This,
however, is not some unforeseen byproduct of a statutory scheme intended
primarily to ensure a return for works of the imagination. Congress made the affirmative choice that
the copyright laws should apply in this way:
"Copyright does not preclude others from using the ideas or
information revealed by the author's work.
It pertains to the literary ... form in which the author expressed
intellectual concepts." H.R.Rep.
No. 94‑1476, at 56‑57.
This distinction is at the essence of copyright. The copyright laws serve as the
"engine of free expression," ante, at 2230, only when the statutory
monopoly does not choke off multifarious indirect uses and consequent broad
dissemination of information and ideas.
To ensure the progress of arts and sciences and the integrity of First
Amendment values, ideas and information must not be freighted with claims of
proprietary right. [FN13]
FN13. This congressional limitation on the scope of copyright does
not threaten the production of history.
That this limitation results in significant diminution of economic
incentives is far from apparent. In
any event noneconomic incentives motivate much historical research and
writing. For example, former public
officials often have great incentive to "tell their side of the
story." And much history is the
product of academic scholarship.
Perhaps most importantly, the urge to preserve the past is as old as
humankind.
In my judgment, the Court's fair use analysis has fallen to the
temptation to find copyright violation based on a minimal use of literary form
in order to provide compensation for the appropriation of information from a
work of history. The failure to
distinguish between information and literary form permeates every aspect of the
Court's fair use analysis and leads the Court to the wrong result in this
case. Application of the statutorily
prescribed analysis with attention to the distinction between information and
literary form leads to a straightforward finding of fair use within the meaning
of § 107.
The Purpose of the Use.
The Nation's purpose in quoting 300 words of the Ford manuscript was, as
the Court acknowledges, news reporting.
See ante, at 2231. The Ford
work contained information about important events of recent history. Two principals, Mr. Ford and General
Alexander Haig, were at the time of The Nation's publication in 1979 widely
thought to be candidates for the Presidency.
That The Nation objectively reported the information in the Ford
manuscript without independent commentary in no way diminishes the conclusion
that it was reporting news. A typical
newsstory differs from an editorial precisely in that it presents newsworthy
information in a straightforward and unelaborated manner. Nor does the source of the information
render The Nation's article any less a news report. Often books and manuscripts, solicited and unsolicited, are the
subject matter of news reports. E.g.,
New York Times Co. v. United States, 403 U.S. 713, 91 S.Ct. 2140, 29 L.Ed.2d
822 (1971). Frequently the manuscripts
are unpublished at the time of the news report. [FN14]
FN14. E.g., N.Y. Times, Aug. 2, 1984, p. C20, col. 5 (article
about revelations in forthcoming biography of Cardinal Spellman); N.Y. Times, Dec. 10, 1981, p. A18, col. 1
(article about revelations in
forthcoming book by John Erlichman);
N.Y. Times, Sept. 29, 1976, p. 1, col. 2 (article about revelations in
forthcoming autobiography of President Nixon);
N.Y. Times, Mar. 27, 1976, p. 9, col. 1 (article about revelations
concerning President Nixon's resignation in forthcoming book The Final Days); N.Y. Times, Sept. 23, 1976, p. 36, col. 1
(article about revelations concerning President Ford in forthcoming book Blind
Ambition by John Dean).
Section 107 lists news reporting as a prime example of fair use of
another's expression. Like criticism
and all other purposes Congress explicitly approved in § 107, news reporting
informs the public; the language of §
107 makes clear that Congress saw the spread of knowledge and information as
the strongest justification for a properly limited appropriation of
expression. The Court of Appeals was
therefore correct to conclude that the purpose of The Nation's use‑‑dissemination
of the information contained in the quotations of Mr. Ford's work‑‑furthered
the public interest. 723 F.2d 195, 207‑208
(CA2 1983). In light of the explicit
congressional endorsement in § 107, the purpose for which Ford's literary form
was borrowed strongly favors a finding of fair use.
The Court concedes the validity of the news reporting purpose [FN15] but then quickly offsets it against
three purportedly countervailing considerations. First, the Court asserts that because The Nation publishes for
profit, its publication of the Ford quotes is a presumptively unfair commercial
use. Second, the Court claims that The
Nation's stated desire to create a "news event" signaled an
illegitimate purpose of supplanting the copyright owner's right of first
publication. Ante, at 2231. Third, The Nation acted in bad faith, the
Court claims, because its editor "knowingly exploited a purloined
manuscript." Ibid.
FN15. The Court properly rejects the argument that this is not
legitimate news. Courts have no
business making such evaluations of journalistic quality. See ante, at 2231. The Court also properly rejects the
argument that this use is nonproductive.
See ante, at 2231. News
reporting, which encompasses journalistic judgment with respect to selection,
organization, and presentation of facts and ideas, is certainly a productive
use. See Sony Corp. of America v.
Universal City Studios, Inc., 464 U.S., at 478‑479, 104 S.Ct., at 807‑808
(BLACKMUN, J., dissenting).
The Court's reliance on the commercial nature of The Nation's use
as "a separate factor that tends to weigh against a finding of fair
use," ante, at 2231, is inappropriate in the present context. Many uses § 107 lists as paradigmatic
examples of fair use, including criticism, comment, and news reporting, are
generally conducted for profit in this country, a fact of which Congress was
obviously aware when it enacted § 107.
To negate any argument favoring fair use based on news reporting or
criticism because that reporting or criticism was published for profit is to
render meaningless the congressional imprimatur placed on such uses. [FN16]
FN16. To support this claim the Court refers to some language in
Sony Corp. of America v. Universal City Studios, Inc., supra, to the effect
that "every commercial use of copyrighted material is presumptively an
unfair exploitation." Id., at 451,
104 S.Ct., at 793. See ante, at
2231. Properly understood, this
language does not support the Court's position in this case. The Court in Sony Corp. dealt with a use‑‑video
recording of copyrighted television programs for personal use‑‑about
which Congress had expressed no policy judgment. When a court evaluates uses that Congress has not specifically
addressed, the presumption articulated in Sony Corp. is appropriate to
effectuate the congressional instruction to consider "whether such use is
of a commercial nature." 17 U.S.C.
§ 107(1). Also, the Court made that statement in the course of evaluating
a use that appropriated the entirety of the copyrighted work in a form
identical to that of the original; the
presumption articulated may well have been intended to apply to takings under
these circumstances. But, in light of
the specific language of § 107, this presumption is not appropriately employed
to negate the weight Congress explicitly gave to news reporting as a
justification for limited use of another's expression.
Nor should The Nation's intent to create a "news event"
weigh against a finding of fair use.
Such a rule, like the Court's automatic presumption against news
reporting for profit, would undermine the congressional validation of the news
reporting purpose. A news business
earns its reputation, and therefore its readership, through consistent prompt
publication of news‑‑and often through "scooping"
rivals. More importantly, the Court's
failure to maintain the distinction between information and literary form
colors the analysis of this point.
Because Harper & Row had no legitimate copyright interest in the
information and ideas in the Ford manuscript, The Nation had every right to
seek to be the first to disclose these facts and ideas to the public. The
record suggests only that The Nation sought to be the first to reveal the
information in the Ford manuscript.
The Nation's stated purpose of scooping the competition should under
those circumstances have no negative bearing on the claim of fair use. Indeed the Court's reliance on this factor
would seem to amount to little more than distaste for the standard journalistic
practice of seeking to be the first to publish news.
The Court's reliance on The Nation's putative bad faith is equally
unwarranted. No court has found that
The Nation possessed the Ford manuscript illegally or in violation of any
common‑law interest of Harper & Row;
all common‑law causes of action have been abandoned or dismissed
in this case. 723 F.2d, at 199‑201.
Even if the manuscript had been "purloined" by someone,
nothing in this record imputes culpability to The Nation. [FN17] On the basis
of the record in this case, the most that can be said is that The Nation made
use of the contents of the manuscript knowing the copyright owner would not
sanction the use.
FN17. This case is a far cry from Time Inc. v. Bernard Geis
Associates, 293 F.Supp. 130, 146 (SDNY 1968), the only case the Court cites to
support considerationof The Nation's purported bad faith. In that case the publisher claiming fair
use had personally stolen film negatives from the offices of Time and then
published graphic representations of the
stolen photographic images. And
the court found fair use despite these circumstances. Ibid.
At several points the Court brands this conduct thievery. See, e.g., ante, at 2228, 2232. This judgment is unsupportable, and is
perhaps influenced by the Court's unspoken tendency in this case to find
infringement based on the taking of information and ideas. With respect to the appropriation of
information and ideas other than the quoted words, The Nation's use was
perfectly legitimate despite the copyright owner's objection because no
copyright can be claimed in ideas or information. Whether the quotation of 300 words was an infringement or a fair
use within the meaning of § 107 is a close question that has produced sharp
division in both this Court and the Court of Appeals. If the Copyright Act were held not to prohibit the use, then the
copyright owner would have had no basis in law for objecting. The Nation's awareness of an objection that
has a significant chance of being adjudged unfounded cannot amount to bad
faith. Imputing bad faith on the basis
of no more than knowledge of such an objection, the Court impermissibly
prejudices the inquiry and impedes arrival at the proper conclusion that the
"purpose" factor of the statutorily prescribed analysis strongly
favors a finding of fair use in this case.
The Nature of the Copyrighted Work. In Sony Corp. of America v. Universal City Studios, Inc., we
stated that "not ... all copyrights are fungible" and that
"[c]opying a news broadcast may have a stronger claim to fair use than
copying a motion picture." 464
U.S., at 455, n. 40, 104 S.Ct., at 795, n. 40. These statements reflect the principle, suggested in § 107(2) of
the Act, that the scope of fair use is generally broader when the source of
borrowed expression is a factual or historical work. See 3 Nimmer § 13.05[A] , at 13‑73‑‑13‑74. "[I]nformational works," like the
Ford manuscript, "that readily lend themselves to productive use by
others, are less protected." Sony Corp. of America v. Universal City
Studios, Inc., 464 U.S., at 496‑497, 104 S.Ct., at 816 (BLACKMUN, J.,
dissenting). Thus the second statutory
factor also favors a finding of fair use in this case.
The Court acknowledges that "[t]he law generally recognizes a
greater need to disseminate factual works than works of fiction or
fantasy," ante, at 2228, and that "[s]ome of the briefer quotations
from the memoir are arguably necessary to convey the facts," ibid. But the Court discounts the force of this
consideration, primarily on the ground that "[t]he fact that a work is
unpublished is a crucial element of its 'nature.' " Ante, at 2228. [FN18] At this point the Court introduces into
analysis of this case a categorical presumption against prepublication fair
use. See ante, at 2228 ("Under
ordinary circumstances, the author's right to control the first public
appearance of his undisseminated expression will outweigh a claim of fair
use").
FN18. The Court also discounts this factor in part because the
appropriation of The Nation, "focusing on the most expressive elements of
the work, exceeds that necessary to disseminate the facts." Ante, at ‑‑‑‑. Whatever the propriety of this view of The
Nation's use, it is properly analyzed under the third statutory fair use factor‑‑the
amount and substantiality of the expression taken in relation to the
copyrighted work as a whole, 17 U.S.C. § 107(3)‑‑and will be
analyzed as such in this opinion.
This categorical presumption is unwarranted on its own terms and
unfaithful to congressional intent. [FN19]
Whether a particular prepublication use will impair any interest the
Court identifies as encompassed within the right of first publication, see
ante, at 2227‑2228, [FN20] will depend on the nature of the copyrighted
work, the timing of prepublication use, the amount of expression used and the
medium in which the second author communicates. Also, certain uses might be tolerable for some purposes but not
for others. See Sony Corp. of America
v. Universal City Studios, Inc., supra, at 490, n. 40, 104 S.Ct., at 813, n.
40. The Court is ambiguous as to
whether it relies on the force of the presumption against prepublication fair
use or an analysis of the purpose and effect of this particular use. Compare ante, at 2227‑2228, with
ante, at 2233. To the extent the Court
relies on the presumption, it presumes intolerable injury‑‑in
particular the usurpation of the economic interest [FN21]‑‑based on no more than a quick litmus test for
prepublication timing. Because
"Congress has plainly instructed us that fair use analysis calls for a
sensitive balancing of interests," we held last Term that the fair use
inquiry could never be resolved on the basis of such a "two
dimensional" categorical approach.
See Sony Corp. of America v. Universal City Studios, Inc., 464 U.S., at
455, n. 40, 104 S.Ct., at 795, n. 40 (rejecting categorical requirement of
"productive use").
FN19. The Court lays claim to specific congressional intent
supporting the presumption against prepublication fair use. See ante, at 2227, quoting S.Rep. No. 94‑473,
p. 64 (1975); ante, at 2226, n. 4, 2227‑2228. The argument based on congressional intent
is unpersuasive for three reasons.
First, the face of the statute clearly allows for prepublication
fair use. The right of first publication, like all other rights § 106 of
the Act specifically grants copyright owners, is explicitly made "subject
to section 107," the statutory fair use provision. See 17 U.S.C. § 106. Second, the language
from the Senate Report on which the Court relies so heavily, see ante, at 2227,
simply will not bear the weight the Court places on it. The Senate Report merely suggests that
prepublication photocopying for classroom purposes will not generally
constitute fair use when the author has an interest in the confidentiality of
the unpublished work, evidenced by the author's "deliberate choice"
not to publish. Given that the face of
§ 106 specifically allows for prepublication fair use, it would be unfaithful
to the intent of Congress to draw from this circumscribed suggestion in the
Senate Report a blanket presumption against any amount of prepublication fair
use for any purpose and irrespective of the effect of that use on the copyright
owner's privacy, editorial, or economic interests.
Third, the Court's reliance on congressional adoption of the
common law is also unpersuasive. The
common law did not set up the monolithic barrier to prepublication fair use
that the Court wishes it did. See,
e.g., Estate of Hemingway v. Random House, Inc., 53 Misc.2d 462, 279
N.Y.S.2d 51 (S.Ct.N.Y.Cty.), aff'd,
29 App.Div.2d 633, 285 N.Y.S.2d 568 (1st Jud.Dept.1967), aff'd on other
grounds, 23 N.Y.2d 341, 296 N.Y.S.2d 771, 244 N.E.2d 250 (1968). The statements of general principle the
Court cites to support its contrary representation of the common law, see ante,
at 2226, n. 4, are themselves unsupported by reference to substantial judicial
authority. Congressional endorsement
of the commonlaw of fair use should not be read as adoption of any rigid
presumption against prepublication use.
If read that way, the broad statement that the Copyright Act was
intended to incorporate the common law would in effect be given the force of
nullifying Congress' repeated methodological prescription that definite rules
are inappropriate and fact‑specific analysis is required. The broad language adopting the common‑law
approach to fair use is best understood as an endorsement of the essential fact‑
specificity and case‑by‑case methodology of the common law of fair
use.
FN20. The Court finds the right of first publication particularly
weighty because it encompasses three important interests: (i) a privacy interest in whether to make
expression public at all; (ii) an
editorial interest in ensuring control over the work while it is being groomed
for public dissemination; and (iii) an
economic interest in capturing the full
remunerative potential of
initial release to the public. Ante, at
2227‑ 2228.
FN21. Perhaps most inappropriate is the Court's apocalyptic
prophesy that permitting any prepublication use for news reporting will
"effectively destroy any expectation of copyright protection in the work
of a public figure." Ante, at
2229. The impact of a prepublication
use for purposes of news reporting will obviously vary with the circumstances. A claim of news reporting should not be a
fig leaf for substantial plagiarism, see Wainwright Securities Inc. v. Wall
Street Transcript Corp., 558 F.2d 91 (CA2 1977), but there is no warrant for
concluding that prepublication quotation of a few sentences will usually drain
all value from a copyright owner's right of first publication.
To the extent the Court purports to evaluate the facts of this
case, its analysis relies on sheer speculation. The quotation of 300 words from the manuscript infringed no
privacy interest of Mr. Ford. This
author intended the words in the manuscript to be a public statement about his
Presidency. Lacking, therefore, is the "deliberate choice on the part of
the copyright owner" to keep expression confidential, a consideration that
the Senate Report‑‑in the passage on which the Court places great
reliance, see ante, at 2227 ‑‑recognized as the impetus behind
narrowing fair use for unpublished works.
See S.Rep. No. 94‑473, at 64.
See also 3 Nimmer § 13.05[A], at 13‑ 73 ("[T]he scope of the
fair use doctrine is considerably narrower with respect to unpublished works
which are held confidential by their copyright owners ") (emphasis
added). What the Court depicts as the
copyright owner's "confidentiality" interest, see ante, at 2233, is
not a privacy interest at all. Rather,
it is no more than an economic interest in capturing the full value of initial
release of information to the public, and is properly analyzed as such. See infra, at 2233‑2234. Lacking too is any suggestion that The
Nation's use interfered with the copyright owner's interest in editorial
control of the manuscript. The Nation
made use of the Ford quotes on the eve of official publication.
Thus the only interest The Nation's prepublication use might have
infringed is the copyright owner's interest in capturing the full economic
value of initial release. By
considering this interest as a component of the "nature" of the
copyrighted work, the Court's analysis deflates The Nation's claim that the
informational nature of the work supports fair use without any inquiry into the
actual or potential economic harm of The Nation's particular prepublication
use. For this reason, the question of
economic harm is properly considered under the fourth statutory factor‑‑the
effect on the value of or market for the copyrighted work, 17 U.S.C. § 107(4)‑‑and
not as a presumed element of the "nature" of the copyright.
The Amount and Substantiality of the Portion Used. More difficult questions arise with respect
to judgments about the importance to this case of the amount and substantiality
of the quotations used. The Nation
quoted only approximately 300 words from a manuscript of more than 200,000
words, and the quotes are drawn from isolated passages in disparate sections of
the work. The judgment that this taking was quantitatively "infinitesimal,"
723 F.2d, at 209, does not dispose of the inquiry, however. An evaluation of substantiality in
qualitative terms is also required.
Much of the quoted material was Mr. Ford's matter‑of‑fact
representation of the words of others in conversations with him; such quotations are "arguably necessary
adequately to convey the facts," ante, at 2232, and are not rich in
expressive content. Beyond these quotations a portion of the quoted material
was drawn from the most poignant expression in the Ford manuscript; in particular The Nation made use of six
examples of Mr. Ford's expression of his reflections on events or perceptions
about President Nixon. [FN22] The fair
use inquiry turns on the propriety of the use of these quotations with
admittedly strong expressive content.
FN22. These six quotes are:
(1) " '[C]ompassion for Nixon as an individual hadn't
prompted my decision at all.' Rather,
he did it because he had 'to get the monkey off my back one way or the other.'
" Ante, at 2236.
(2) "Nixon 'would not spend the time quietly in San
Clemente,' and 'it would be virtually impossible for me to direct public
attention on anything else.' "
Ante, at 2236.
(3) " 'I learned that public policy often took precedence
over a rule of law. Although I respected
the tenet that no man should be above the law, public policy demanded that I
put Nixon‑‑and Watergate‑‑behind us as quickly as
possible.' " Ante, at 2237.
(4) " 'If I made the trip it would remind everybody of
Watergate and the pardon. If I didn't
people would say I lacked compassion.' "
Ante, at 2237.
(5) "He was stretched out flat on his back. There were tubes in his nose and mouth, and
wires led from his arms, chest and legs to machines with orange lights that
blinked on and off. His face was
ashen, and I thought I had never seen anyone closer to death." Ante, at 2237.
(6) " 'A terribly proud man,' writes Ford, 'he detested
weakness in other people. I'd often heard him speak disparagingly of
those whom he felt to be soft and expedient.
(Curiously, he didn't feel that the press was weak. Reporters, he sensed, were his
adversaries. He knew they didn't like
him, and he responded with reciprocal disdain.)'... 'His pride and personal contempt for weakness had overcome his
ability to tell the difference between right and wrong.'... 'Nixon was out of touch with reality.'
" Ante, at 2239.
The Court holds that "in view of the expressive value of the
excerpts and their key role in the infringing work," this third statutory
factor disfavors a finding of fair use. [FN23]
To support this conclusion, the Court purports to rely on the District
Court factual findings that The Nation had taken "the heart of the
book." 557 F.Supp. 1062, 1072
(SDNY 1983). This reliance is
misplaced, and would appear to be another result of the Court's failure to
distinguish between information and literary form. When the District Court made
this finding, it was evaluating not the quoted words at issue here but the
"totality" of the information and reflective commentary in the Ford
work. Ibid. The vast majority of what the District Court considered the heart
of the Ford work, therefore, consisted of ideas and information The Nation was
free to use. It may well be that, as a
qualitative matter, most of the value of the manuscript did lie in the
information and ideas The Nation used.
But appropriation of the "heart" of the manuscript in this
sense is irrelevant to copyright analysis because copyright does not preclude a
second author's use of information and ideas.
FN23. The Court places some emphasis on the fact that the
quotations from the Ford work constituted a substantial portion of The Nation's
article. Superficially, the Court would
thus appear to be evaluating The Nation's quotation of 300 words in relation to
the amount and substantiality of expression used in relation to the second
author's work as a whole. The statute
directs the inquiry into "the amount and substantiality of the portion
used in relation to the copyrighted work as a whole," 17 U.S.C. § 107(3)
(emphasis added). As the statutory
directive implies, it matters little whether the second author's use is 1 or
100‑percent appropriated expression if the taking of that expression had
no adverse effect on the copyrighted work.
See Sony Corp. of America v. Universal City Studios, Inc., 464 U.S. 417,
104 S.Ct. 774, 78 L.Ed.2d 574 (1984) (100% of expression taken). I presume, therefore, that the Court
considered the role of the expression "in the infringing work" only
as indirect evidence of the qualitative value of the expression taken in this case. If read this way, the point dovetails with the Court's major
argument that The Nation appropriated the most valuable sentences of the work.
Perhaps tacitly recognizing that reliance on the District Court
finding is unjustifiable, the Court goes on to evaluate independently the
quality of the expression appearing in The Nation's article. The Court states that "[t]he portions
actually quoted were selected by Mr. Navasky as among the most powerful
passages." Ante, at 2232. On the basis of no more than this
observation, and perhaps also inference from the fact that the quotes were
important to The Nation's article, [FN24] the Court adheres to its conclusion
that The Nation appropriated the heart of the Ford manuscript.
FN24. See n. 23, supra.
At least with respect to the six particular quotes of Mr. Ford's
observations and reflections about President Nixon, I agree with the Court's
conclusion that The Nation appropriated some literary form of substantial
quality. I do not agree, however, that
the substantiality of the expression taken was clearly excessive or
inappropriate to The Nation's news reporting purpose.
Had these quotations been used in the context of a critical book
review of the Ford work, there is little question that such a use would be fair
use within the meaning of § 107 of the Act.
The amount and substantiality of the use‑‑in both
quantitative and qualitative terms‑‑would have certainly been
appropriate to the purpose of such a use.
It is difficult to see how the use of these quoted words in a news
report is less appropriate. The Court
acknowledges as much: "[E]ven
substantial quotations might qualify as a fair use in a review of a published
work or a news account of a speech that had been delivered to the
public." See ante, at 2232. With respect to the motivation for the
pardon and the insights into the psyche of the fallen President, for example,
Mr. Ford's reflections and perceptions are so laden with emotion and deeply
personal value judgments that full understanding is immeasurably enhanced by
reproducing a limited portion of Mr. Ford's own words. The importance of the work, after all, lies
not onlyin revelation of previously unknown fact but also in revelation of the
thoughts, ideas, motivations, and fears of two Presidents at a critical moment
in our national history. Thus, while
the question is not easily resolved, it is difficult to say that the use of the
six quotations was gratuitous in relation to the news reporting purpose.
Conceding that even substantial quotation is appropriate in a news
report of a published work, the Court would seem to agree that this quotation
was not clearly inappropriate in relation to The Nation's news reporting
purpose. For the Court, the determinative factor is again that the
substantiality of the use was inappropriate in relation to the prepublication
timing of that use. That is really an
objection to the effect of this use on the market for the copyrighted work, and
is properly evaluated as such.
The Effect on the Market.
The Court correctly notes that the effect on the market "is
undoubtedly the single most important element of fair use." Ante, at 2233,
citing 3 Nimmer § 13.05[A], at 13‑76, and the Court properly focuses on
whether The Nation's use adversely affected Harper & Row's serialization
potential and not merely the market for sales of the Ford work itself. Ante, at 2233. Unfortunately, the Court's failure to distinguish between the
use of information and the appropriation of literary form badly skews its
analysis of this factor.
For purposes of fair use analysis, the Court holds, it is
sufficient that the entire article containing the quotes eroded the
serialization market potential of Mr. Ford's work. Ante, at 2234. On the
basis of Time's cancellation of its serialization agreement, the Court finds
that "[r]arely will a case of copyright infringement present such clear‑cut
evidence of actual damage." Ibid.
In essence, the Court finds that by using some quotes in a story about
the Nixon pardon, The Nation "competed for a share of the market of
prepublication excerpts" ante, at 2234, because Time planned to excerpt
from the chapters about the pardon.
The Nation's publication indisputably precipitated Time's eventual
cancellation. But that does not mean
that The Nation's use of the 300 quoted words caused this injury to Harper
& Row. Wholly apart from these
quoted words, The Nation published significant information and ideas from the
Ford manuscript. If it was this
publication of information, and not the publication of the few quotations, that
caused Time to abrogate its serialization agreement, then whatever the negative
effect on the serialization market, that effect was the product of wholly legitimate
activity.
The Court of Appeals specifically held that "the evidence
does not support a finding that it was the very limited use of expression per
se which led to Time's decision not to print excerpts." 723 F.2d, at 208. I fully agree with this holding. If The Nation competed with Time, the competition was not for a
share of the market in excerpts of literary form but for a share of the market
in the new information in the Ford work.
That the information, and not the literary form, represents most of the
real value of the work in this case is perhaps best revealed by the following
provision in the contract between Harper & Row and Mr. Ford:
"Author acknowledges that the value of the rights granted to
publisher hereunder would be substantially diminished by Author's public
discussion of the unique information not previously disclosed about Author's
career and personal life which will be included in the Work, and Author agrees
that Author will endeavor not to disseminate any such information in any media,
including television, radio and newspaper and magazine interviews prior to the
first publication of the work hereunder." App. 484.
The contract thus makes clear that Harper & Row sought to
benefit substantially from monopolizing the initial revelation of information
known only to Ford.
Because The Nation was the first to convey the information in this
case, it did perhaps take from Harper & Row some of the value that
publisher sought to garner for itself through the contractual arrangement with
Ford and the license to Time. Harper
& Row had every right to seek to monopolize revenue from that potential
market through contractual arrangements but it has no right to set up copyright
as a shield from competition in that market because copyright does not protect
information. The Nation had every
right to seek to be the first to publish that information. [FN25]
FN25. The Court's reliance on the principle that "an
infringer who mingles infringing and noninfringing elements 'must abide the
consequences,' " ante, at 2234 (citation omitted), is misconceived. Once
infringement of a § 106 exclusive right has been shown, it is entirely
appropriate to shift to the infringer the burden of showing that the
infringement did not cause all the damages shown. But the question in this case is whether this particular use
infringed any § 106 rights. Harper & Row may have shown actual damage
flowing from The Nation's use of information, but they have not shown actual damage
flowing from an infringement of a § 106 exclusive right.
Balancing the Interests.
Once the distinction n between information and literary form is made
clear, the statutorily prescribed process of weighing the four statutory fair
use factors discussed above leads naturally to a conclusion that The Nation's
limited use of literary form was not an infringement. Both the purpose of the use and the nature of the copyrighted
work strongly favor the fair use defense here. The Nation appropriated Mr. Ford's expression for a purpose
Congress expressly authorized in § 107 and borrowed from a work whose nature
justifies some appropriation to facilitate the spread of information. The factor that is perhaps least favorable
to the claim of fair use is the amount and substantiality of the expression used. Without question, a portion of the
expression appropriated was among the most poignant in the Ford
manuscript. But it is difficult to
conclude that this taking was excessive in relation to the news reporting
purpose. In any event, because the appropriation
of literary form‑‑as opposed to the use of information‑‑was
not shown to injure Harper & Row's economic interest, any uncertainty with
respect to the propriety of the amount of expression borrowed should be
resolved in favor of a finding of fair use. [FN26] In light of the circumscribed scope of the quotation in The
Nation's article and the undoubted validity of the purpose motivating that
quotation, I must conclude that the Court has simply adopted an exceedingly
narrow view of fair use in order to impose liability for what was in essence a
taking of unprotected information.
FN26. Had The Nation sought to justify a more substantial
appropriation of expression on a news reporting rationale, a different case
might be presented. The substantiality
of the taking would certainly dilute the claim of need to use the first
author's exact words to convey a particular thought or sentiment. Even if the claim of need were plausible,
the equities would have to favor the copyright owner in order to prevent
erosion of virtually all copyright protection for works of former public officials. In this case, however, the need is manifest
and the integrity of copyright protection for the works of public officials is
not threatened.
III
The Court's exceedingly narrow approach to fair use permits Harper
& Row to monopolize information.
This holding "effect[s] an important extension of property rights
and a corresponding curtailment in the free use of knowledge and of
ideas." International News Service
v. Associated Press, 248 U.S., at 263, 39 S.Ct., at 81 (Brandeis, J.,
dissenting). The Court has perhaps
advanced the ability of the historian‑‑or at least the public
official who has recently left office‑‑to capture the full economic
value of information in his or her possession. But the Court does so only by risking the robust debate of
public issues that is the "essence of self‑government." Garrison v. Louisiana, 379 U.S., at 74‑75,
85 S.Ct., at 215‑216. The Nation
was providing the grist for that robust debate. The Court imposes liability upon The Nation for no other reason
than that The Nation succeeded in being the first to provide certain
information to the public. I dissent.